 reviewed by Sian Robertson 3 Jul 2009 |
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Pithy, fast paced script provokes with subtlety and blatancy Station to Station is an absurdist satire throwing a spotlight on the hypocrisy of religious fundamentalism. It’s less about sight-seeing and more about journeys of the soul, with the disappointments of hero worship at its core. [more] |
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reviewed by Janet McAllister (New Zealand Herald) 3 Jul 2009 |
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Thriller-like verve, arresting characters on way to End Michael Galvin (Shortland Street's Dr Warner) has written himself a doozy of a role in his new play: Simon, his Auckland evangelist, is willing to lie, entrap and possibly commit terrorist acts to hasten the Second Coming of Christ; the End apparently justifies being mean. [more] |
 reviewed by Ewen Coleman (The Dominion Post) 2 Jul 2009 |
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All aboard for the high-octane express This production for New Zealand audiences, which travels on to Christchurch and Auckland, is a sophisticated update of the production first performed in arenas throughout Scandinavia in 2007 and features a cast combining previous members from UK, US and German productions as well as young Kiwi talent, all performing on roller skates ... [more] |
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reviewed by John Smythe 2 Jul 2009 |
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Thrill-a-thon of sound and movement It’s a Cinderella set-up in essence but – being a boy’s story – it is primarily focused on a race between trains from different nations. The loco-contenders are all male while most of the service cars that hitch up for the ride are female, which is where the love interest comes in. [more] |
 reviewed by Helen Watson White 29 Jun 2009 |
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Curly-wigged artifice, witty circumlocution and downright intrigue Midwinter revels in Dunedin, begun with an impressive lantern procession in the Octagon, continue in the Globe’s lively production of a Restoration favourite, dating from London’s winter season in 1675. [more] |
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reviewed by Barbara Frame (Otago Daily Times) 27 Jun 2009 |
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Enormously entertaining Naughty, naughty. Between 1753 and 1924, William Wycherley's The Country Wife was considered so depraved that it was performed only in severely bowdlerised versions. [more] |
 reviewed by Sue Cheesman 26 Jun 2009 |
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Powerful journey from boyhood to manhood Tama Ma has five sections presented as an “autobiographical dance journey” performed by Taane Mete and Taiaroa Royal. Bodies honed and mapped by years of extensive dance training, their performance extols power, skill and artistry. [more] |
 reviewed by Nik Smythe 24 Jun 2009 |
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Short, bleak and questionable Sean and Debbie Muck are siblings struggling in London’s east end at the lower end of the class spectrum, to say the least. The play opens with Sean eating baked beans from a fancy dessert dish and mentioning important engagements with Hello! Magazine and the various obligations that beset the fabulous celebrities they fantasize about being. [more] |
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reviewed by Terri Crawford 22 Jun 2009 |
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Taking quality work to a new brilliance Tama Ma is an extraordinary work produced by Okareka Dance Company and performed by two of our most renowned contemporary dancers Taiaroa Royal and Taane Mete. It is rewarding to see such high quality dancers venture out on their own, and invigorate audiences with their professional partnership in this work. [more] |
 reviewed by Bernadette Rae (New Zealand Herald) 19 Jun 2009 |
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Home-spun concept a great fit for the times Ann Dewey's latest creation from her idyllic dance nest in Leigh takes the art of knitting as its theme in an intense and abstract exploration of rhythm and pattern. [more] |
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