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GIRL WITH NO WORDS: LISTENING TO THE LANGUAGE OF CUTTING at Ilott Theatre
reviewed by Thomas LaHood 8 May 2010
A moving, meaningful and valuable experience
Built on foundations of storytelling convention but drawing in multimedia elements from the visual arts, musical composition and documentary film-making, Girl With No Words presents an extremely thoughtful and intelligent investigation into how we can listen to, understand and finally care for ‘cutters’ – that is, people who self-mutilate in order to appease their inner turmoil. [more]

New Zealand International Comedy Festival 2010
THE COMEDIETTES: BETTER LIVING! (NZ) at BATS
reviewed by Hannah Smith 7 May 2010
Energetic, slick and stylish
The Comediettes: Better Living would make great skits for a late night TV show. Their combination of handy home hints and off-the-wall musical numbers is quirky, original and would easily garner a cult following. Kitsch is the new cool. [more]

New Zealand International Comedy Festival 2010
SAMMY J & RANDY IN RICKETTS LANE (AUS) at Downstage Theatre
reviewed by Simon Sweetman (The Dominion Post) 7 May 2010
Ha ha, that’s a swearing sock
Australian comic act Sammy J and Randy is comprised of the "skinny guy", Sammy J (Sam McMillan), and "the purple one", a puppet named Randy (skilfully handled by Heath McIvor). Following up on 2008's audacious musical Sammy J and the Forest of Dreams (which played at last year's comedy festival), we have Ricketts Lane, somewhat stripped back considering McIvor has only one puppet to deal with this time. But Randy is, in all senses of the word, a handful. [more]

New Zealand International Comedy Festival 2010
JAN MAREE: EAT ME! at Sandwiches
reviewed by Priyanka Bhonsule 7 May 2010
Family, food and love: both funny and moving
It is no easy task to cook, talk and be funny but Jan Maree manages to do all three for two very entertaining hours.* Eat Me is the second part of the series Maree started in 2007 where she uses her life experiences, family recipes and stories to create a relatively “out there” concept of cookery and comedy. [more]

New Zealand International Comedy Festival 2010
RAYBON KAN: THE DISCOMFORT ZONE (NZ) at The Elliot Stables, 39 Elliot St, City
reviewed by Nik Smythe 7 May 2010
Precocious verbal dissection
He claims to own us, being his audience, and feels a connection to the crowd given that to be able to afford to go out in Auckland city we must be loaded, like him; Raybon wears his well-off yuppie ego on his smartly tailored sleeve. [more]

New Zealand International Comedy Festival 2010
DON’T SPIT THE WATER (NZ) at Musgrove Studio, Maidment Theatre
reviewed by Nik Smythe 6 May 2010
The wetness of laughter
The idea is kind of a tame version of the odd conceptual contests on TV’s Distraction. An all-local cast of character-driven comedians compete in their quest to get the audience-picked players, whose cheeks are filled with water, to squirt it out by causing them to laugh uncontrollably. Emcee Te Radar’s versatile capabilities seem to easily stretch to Gameshow Host ... [more]

New Zealand International Comedy Festival 2010
MRS PEACOCK: NATURE’S BEAST at Comedy Underground, 305 Queen St
reviewed by Nik Smythe 6 May 2010
Parody, PowerPoint and anarchic charm
The audacious deadbeats bring us on a regional journey around all the main centres, again distilling the essence of each area’s musical culture to a basic stereotypical formula, which they then demonstrate with their own example. [more]

New Zealand International Comedy Festival 2010
LEVIN FOR BEGINNERS (NZ) at Katipo Cafe & Bar, 76 Willis St
reviewed by Lyne Pringle 6 May 2010
Regional non-delivery
A bunch of comedians with origins in small town New Zealand attempt to distil the essence of their roots. There is good potential in the material but the show fails to ignite. [more]

New Zealand International Comedy Festival 2010
TIC TIC (NZ) at Limelight Lounge, Aotea Centre
reviewed by Paul Simei-Barton (New Zealand Herald) 6 May 2010
Comic but deeply personal take on Tourette’s
At the more refined end of the Comedy Fest spectrum is an elegant memoir chronicling Paul Barrett's life-long engagement with Tourette's syndrome. [more]

JEREMY ELWOOD THINKS TOO MUCH at The Garden Club, 13b Dixon Street
reviewed by John Smythe 6 May 2010
He gives a damn which makes him worth it
Despite his being a ukulele-hating (I love them!) smoker (why pay all that extra tax to suffer ill health and shorten your life?) who is dismissive of whimsy and burlesque (both are fine by me), Jeremy Elwood delivers a compelling, thought-provoking hour. [more]
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