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New Zealand International Arts Festival 2010
MTYLAND at Soundings - Te Papa
reviewed by Lyne Pringle 28 Feb 2010
Multi-layered and powerful
That Footnote is included in the international festival with Claire O’Neill’s work Mtyland is cause for celebration. It has been a long journey of negotiation and faith. Why should it be this hard and this rare to see New Zealand artists in this context, particularly dance? [more]

New Zealand International Arts Festival 2010
MTYLAND at Soundings - Te Papa
reviewed by Mark Amery (New Zealand Herald (online only)) 28 Feb 2010
Excellence and irritation
Claire O'Neill's work sits nicely alongside fellow dance theatre work Sutra in artistic director Lissa Twomey's opening weekend festival program. Both explore the individual's struggle – and the respective Belgium-based choreographers' own struggle – through movement to find a space within which they can be comfortable. O'Neill calls this place MTYLAND, MTY standing for 'moving towards yourself'. [more]

MY NAME IS RACHEL CORRIE at Allen Hall Theatre
reviewed by Terry MacTavish 28 Feb 2010
Martyr, pawn, terrorist?
I never fail to be astonished and inspired by the passionate courage shown by the young as they take on the world, so the premise of this play appealed to me. My Name is Rachel Corrie is based on the true story of a 23-year-old American peace activist, who was killed by an Israeli bulldozer in the Gaza Strip while trying to protect a Palestinian home from demolition. [more]

New Zealand International Arts Festival 2010
DANCING ON YOUR GRAVE at Pacific Blue Festival Club (Shed 6)
reviewed by Raewyn Whyte 28 Feb 2010
Clever cabaret show compromised by tight row seating
Song and dance combine in Victorian music hall entertainment style in Dancing on Your Grave, performed by five apparently deceased members of the Corpse de Ballet in utterly deadpan style. [more]

Fringe 2010
SOMETIMES I DON’T LIKE YELLOW at BATS
reviewed by Michael Wray 27 Feb 2010
A clever and satisfying story trying to get out
Poor Peter Blouse. A likeable, irreverent business man just trying to give the people what they want. His workforce at the Yum Pineapple, Pineapple is Yum factory are in revolt. The acidic qualities of pineapple juice has cost them their fingerprints and they are losing their grip. [more]

New Zealand International Arts Festival 2010
APOLLO 13: MISSION CONTROL at Downstage Theatre
reviewed by John Smythe 27 Feb 2010
Participate: you know you want to
Whether we have assigned tasks, volunteer for special tasks, or are (like the press corps) keen observers, we live and feel the unfolding drama. From the time bird-strike causes a gas to vent that’s observed from inside the module to which we have video access, problems evolve that threaten first the success of the mission and then the lives of the crew. [more]

Fringe 2010
HOW TO BE A DOMESTIC GODDESS – LA REVUE DE CUISINE at Expressions Arts & Entertainment Centre - Upper Hutt
reviewed by Amy Hughson 27 Feb 2010
From loss, hardship and strength to infectious energy and enthusiasm
Crows Feet Dance Collective’s How to be a Domestic Goddess – La Revue de Cuisine, directed and choreographed by Jan Bolwell, is a performance of three contrasting dance pieces that effectively showcase a variety of styles. [more]

Fringe 2010
HOME at Tararua Tramping Club, Mt Victoria
reviewed by Michael Wray 27 Feb 2010
Heart-warming
Although Home sits in the music category of the Fringe, it could easily be classified as theatre. Whether you view it as a series of story chapters with musical interludes, or a musical performance separated by spoken pieces will depend on your personal preference. For me it was a winning example of the former. [more]

Fringe 2010
INSIDE OUT [FRINGE] at Newtown Community Centre
reviewed by Lyne Pringle 27 Feb 2010
Refreshing and honest approach relished by young cast
Inside Out is a beautiful, heartfelt rendition of Sarah Delahunty’s great play about depression and the phenomenon of self harming. It sounds heavy but the script is entertaining and moving as well as offering some valuable insights; the use of humour leavens the challenging subject matter. [more]

New Zealand International Arts Festival 2010
SOUND OF SILENCE at TSB Bank Arena, Queens Wharf
reviewed by Laurie Atkinson (The Dominion Post) 27 Feb 2010
Peace, love and yearning echo
In the magnificently costumedSound of Silence, which is crammed with period detail, the New Riga Theatre Company from Latvia also takes us back to the 1960s when, for a brief period child-like behaviour, peculiar clothing, and political naivety seemed suitable and subtle ways to undermine and forget the rigid conformity and repressive power of the Soviet Union. [more]
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