![]() reviewed by Paul Simei-Barton (New Zealand Herald) 29 Oct 2012 |
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Cultural tapestry woven in song and movement The multicultural face of Auckland is vividly displayed in Tapac's community theatre project that has a hugely enthusiastic cast working under the guidance of seasoned theatre professionals. [more] |
![]() CURIOUS? at Gryphon reviewed by Jackson Coe 22 Feb 2008 |
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Provocative, gutsy, brave Personal secrets and tasty sex lives are all revealed in Curious?, a titillating new Fringe Festival show devised and presented by Stepping Stone Productions. Curious? tackles the immense topic of human sexuality head-on, offering a bold discussion of some of our most private and intimate secrets. [more] |
![]() CURIOUS? at Gryphon reviewed by Ewen Coleman (The Dominion Post) 20 Feb 2008 |
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Finally challenging Sex, as no doubt most people will agree with, is exciting and exhilarating, unlike Curious, a play about sex currently playing early evening at the Gryphon Theatre. [more] |
![]() reviewed by John Smythe 3 Feb 2010 |
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Committed performances save naïve works These three short plays collectively capture the angst of twenty-somethings whose individuality, creativity and idealism become subsumed by the ‘earn money’ imperative. It’s a syndrome that afflicts us all. [more] |
![]() reviewed by Laurie Atkinson (The Dominion Post) 4 Feb 2010 |
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Dealing with the currency of life Three short plays by three young playwrights and all on the same subject is something of a novelty, particularly as the subject is one that, Roger Hall apart in The Share Club and After the Crash, our playwrights have barely touched on. The subject of the plays is money. [more] |
![]() reviewed by Uther Dean (Salient) 15 Feb 2010 |
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Mixed bag Currency is a collection of three short plays about the personal and interpersonal effects of the financial crisis. Played out in the gloriously scratchy and dim nook that is Happy. It is a night of deep inconsistencies but not a wholly unrewarding one. [more] |
![]() CUT TO THE CHASE – SPECIAL DIRECTOR’S EDITION at Cross Street Studios reviewed by Sian Robertson 22 May 2009 |
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Unreservedly recommended It’s a good idea having it in such an intimate space; it feels like we are being invited to take part in a parlour game in their home. In fact they state that ‘this is your show, we’re just here to facilitate it’. And it did feel like our show – thanks lads. [more] |
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CYMBELINE at Dog's Bollix Irish Pub reviewed by Denis Edwards 17 May 2006 |
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Bawdy Bard at the bar Newton Road’s Dog’s Bollix is a close-to-perfect venue for Shakespeare’s comedies and romances. As a rough-house theatre it has already made the annual ‘Bloomsday’ festival a sell-out hit. There is the required pleasantly seedy atmosphere. The stage is well lit. There are different levels and the bar does a brisk business. [more] |
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reviewed by Thomas LaHood 2 Oct 2007 |
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A class act Cynthia Fortitude is New Zealand’s most enduring clown, an irreverent and fanciful diva along the lines of Dame Edna Everage, but without the double chin or the camp. For twenty years Helen Moulder has occupied Cynthia’s powdery, translucent skin, and the character has become a masterpiece, a National Treasure of Fred Dagg pedigree. [more] |
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reviewed by Melody Nixon (The Lumiere Reader) 17 Oct 2007 |
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Operatic balls-up Cynthia Fortitude’s first farewell is certainly deserving of a sequel. This mix of operatic comedy, semi-dignified slapstick and love narrative, ceremoniously accompanied by a chamber orchestra ... [more] |
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