 reviewed by Toby Behan 11 Nov 2011 |
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Audience declares evening a resounding success Just as one automatically listens more attentively to a speaker who is clearly passionate about his or her subject, so it is with watching the Imperial Russian Ballet perform. The enjoyment of the show is increased simply because of the clear belief, distinctive style, rich history and sheer integrity of the performance. [more] |
 reviewed by Janet McAllister (New Zealand Herald) 15 Oct 2012 |
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Moving tale amid difficult coming of age "I am the provider and the oppressed ... I am the role model and the embarrassment." This is how fa'afafine Vili/Vilanda (Taofia Pelesasa) opens this moving examination of family, grief and the difficulties of coming-of-age. [more] |
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reviewed by Johnny Givins 13 Oct 2012 |
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A clean, simple, emotionally truthful production This production of A Frigate Bird Sings bursts with local reality, talent and theatrical skill. It’s the story of a young fa’afafine struggling with the love and commitment to her Samoan Family and the excitement of her own new life discoveries in Auckland’s K’ Road. [more] |
 reviewed by Nik Smythe 26 Sep 2012 |
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Unique perspective made familiar by innate humanity This powerful second work from local breakthrough playwright Suli Moa is distinctively Tongan in tone and content, intensely human in essence. Just before it begins, the opening-matinee audience and cast are blessed by a visiting school-group’s beautifully intoned and harmonised impromptu hymn sung from their seats. [more] |
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reviewed by Sharu Delilkan (Theatre Scenes - Auckland Theatre Blog) 27 Sep 2012 |
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Straight from the Heart A Heart’s Path, written by Suli Moa, is the young playwright’s second Tongan play in less than two years. I’m glad to see that talents like Moa are not a flash in the pan. [more] |
 reviewed by John Smythe 18 Jul 2011 |
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The formula succeeds again As we take our seats musician Tane Upjohn-Beatson sets the mood with music in ‘medieval heroic’ style – nicely counterpointed by the arrival, on his hobby horse, of Greg Ellis as Roderick the Court Jester. [more] |
 reviewed by Candice Lewis 9 Dec 2011 |
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Nicely charcoaled humour for the silly season Sainsbury has created six highly entertaining mini plays that invite us to be the proverbial fly on the wall. Each vignette segues into another, getting progressively darker. [more] |
 reviewed by Jack Gray 24 Nov 2010 |
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Absolute fulfilment of the movement The Unitec Dance Programme - celebrates its 21st year of existence –tackling this milestone with the all the youthful vigour of downing a yard glass. Yerrr on ya mate! [more] |
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reviewed by Val Smith 20 Nov 2010 |
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Re-View Re-flect Re-Member Four out of the five pieces are repertoire and are collectively grand and polished with lush production elements. The fifth, Chris Jannides piece ‘Comp Legs Circa’ is a “tinkered and tampered” upon old and new piece and arguably the most affecting within the context of this ‘celebration’. I’ll come back to this piece at the end of this discussion. [more] |
 A LIFE LIVED IN SKIN at Gryphon reviewed by Jan Bolwell 28 Sep 2008 |
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Stylish but soporific This is an intelligently conceived and beautifully presented one-hour solo dance show by Annabel Reader. The programme notes describe the work as ‘part biography, part fairy tale’ telling the story of universal woman passing through a life full of memories. [more] |
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