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BEAUTIFUL LOSERS at Great Lakes Centre
reviewed by Lisa Laitey 19 May 2012
High times lead to plummeting lows
"So clever" were the first two words that came to mind when describing yesterday afternoon's performance of Beautiful Losers. [more]

LOVEPUKE at Globe Theatre
reviewed by Kimberley Buchan 18 May 2012
A rollercoaster ride through relationship dynamics
Director Emma Feather Shaw brings us Duncan Sarkies' romp through Kiwi attitudes to relationships and sex in the surprisingly warm Globe Theatre. Lovepuke begins with myriad entrances and exits summing up the characters and relationship dynamics. The stage is littered with chairs which are stumbled over, thrown, built up and entwined with. [more]

DICKENS' WOMEN at Regent Theatre
reviewed by Terry MacTavish 18 May 2012
Sublime character acting and acerbic commentary
Margolyes has created this remarkable solo show, which for years has toured the world, to spotlight the women both in the novels and the real life of Charles Dickens. “The greatest man who ever wrote English prose,” she has called him. “I love him and I hate him.” It is this passionate, conflicted response to the man and his work that fires her performance, still fresh and vivid after all this time. [more]

NZ International Comedy Festival 2012
RICHARD MEROS SALUTES THE SOUTHERN MAN at Herald Theatre, Aotea Centre, The Edge
reviewed by Rosabel Tan 18 May 2012
Politically Aware and Intelligent Humour, now with Bonus FlyBuy Points!
These are tough times. There’s the global financial crisis. Climate change. John Key. And Richard Meros, once a leading academic specialising in Helen Clark’s specific niche – can no longer earn a living. And so he turns to the world for a solution, and finds it in that lone figure staring across the plains: the Southern Man. [more]

NZ International Comedy Festival 2012
PUBLIC SERVICE ANNOUNCEMENTS: THE BUDGET SHOW at BATS
reviewed by John Smythe 17 May 2012
See Winston save the world!
Nokise's astute observations and jibes allow the politically literate – of which there are many on opening night – to have a ball while there is plenty of broad comedy to keep the 'average person in the street' happy. [more]

NZ International Comedy Festival 2012
RAYBON KAN IS COMPLETELY UNCALLED FOR at Downstage Theatre
reviewed by Maryanne Cathro 17 May 2012
Saved by genuine intelligence and warmth
It was a dark and chilly night as a few brave souls huddled together in Downstage to witness Raybon Kan be Completely Uncalled For. And indeed most of his humour is just that. Wherein lies its appeal. [more]

NZ International Comedy Festival 2012
REVOLVER: SEXY CIRCUS CABARET CLUB at Comedy Chamber, Town Hall, THE EDGE
reviewed by Nik Smythe 17 May 2012
Remarkably raunchy and risibly rude
The first act proper is scruffy ragdoll mascot girl Maria Blacklips, flinging her limbs about with dynamic flair, again engaging the frequently utilised revolving stage. She is follow by one of the waistcoat fellows, the bearded one, ‘Beau Champagne’, who takes us through a round of deft and nimble, if wholly perfunctory, trapeze manoeuvres to a pumping dubstep soundtrack. [more]

NZ International Comedy Festival 2012
GISH: GISH-TAKES at The Classic Studio
reviewed by Nik Smythe 17 May 2012
Billy T meets Weird Al
easoning it’s in his cultural make-up to appropriate anything he sees fit, Gish happily mines (as in, that’s mine now) the canons of musical artists as diverse as Supergroove, Joey Scarbury, Bananarama, Harry Belafonte, the Swingers, Billy Joel, Edwin Starr, the Cranberries, the Bangles, Elton John, Dave Dobbyn, the Prentenders… the list goes on. [more]

NZ International Comedy Festival 2012
NGAIRE & NAUREEN’S PRISONTIME SPECIAL at The Basement, Lower Greys Ave
reviewed by Adey Ramsel 17 May 2012
We laugh like silly school kids
Hmmm, not sure where this one’s going. Or where it came from. I’m reminded of Blackadders line: “It started off badly, it tailed off a little in the middle and the less said about the end the better – but apart from that it was excellent.” [more]

NZ International Comedy Festival 2012
PAREKOTUKU MOORE IN WHO DAT SHEILA? at Cavern Club, 22 Allen St
reviewed by Maraea Rakuraku 17 May 2012
A class act
This is a woman who knows her audience but better yet, and refreshingly, knows herself. We are observing Parekotuku Moore. Period. It’s very comforting and familiar. It’s like hanging out with a diva in the airport lounge, the whānau at the Pa or the bros leaning on a shovel. [more]
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