![]() reviewed by John Smythe 6 Aug 2006 |
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Authenticity needed to validate extreme behaviour To put it in a nutshell, or smart shrink-wrapped packaging, Wild East equates global brand-led economics with the ancient art of shamanism. [more] |
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reviewed by John Smythe 8 Aug 2006 |
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Tragical comedy With a light touch and refreshing energy, the ensemble rattles through a potted version of the plot, taking infectious pleasure in their work. [more] |
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reviewed by John Smythe 9 Aug 2006 |
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Another gem from Unitec Extremely well written and engagingly performed, You Can’t Surf in Aotea Square is a gem of a show, alternating at Bats with La Creduta Morta, the other Unitec Year Three Acting performance (see below for remaining schedule). [more] |
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reviewed by John Smythe 13 Aug 2006 |
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Magical, whimsical, surreal, delightful Inspirational is the word that most readily springs to mind ... Pitched at children from 8 to 12 it is likely to mesmerise younger children, teenagers and adults alike and inspire all sorts of play and further discovery at many levels. [more] |
![]() reviewed by John Smythe 13 Aug 2006 |
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A classic worth revisiting At Downstage ... Rachel More and her designers and cast give the play a richly textured rendition. Bringing just enough visual enhancement to the text to justify its transition to stage, they resist the temptation to act out every detail, allowing our imaginations to remain fully engaged. [more] |
![]() reviewed by John Smythe 14 Aug 2006 |
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From broad to insightful Being of the generation that was wowed by the 1967 movie, I find this stage adaptation of The Graduate fascinating, both for its fidelity to the film and its surprising differences. [more] |
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SQUATTER at Te Whaea - SEEyD Space, 11 Hutchison Rd, Newtown reviewed by John Smythe 18 Aug 2006 |
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Poor return on audience investment First, an accolade to Andrew McKenzie for choosing a New Zealand play as his major MTA directing project. [more] |
![]() reviewed by John Smythe 20 Aug 2006 |
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Relevant, engaging and vital This year the Go Solo season has shifted its emphasis from character-driven and largely historical evocations of iconic Kiwis to more contemporary theme-driven works, evolved from the experiences, passions, questions, concerns and skills of their perpetrators. [more] |
![]() reviewed by John Smythe 23 Aug 2006 |
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The paradox of constant change In his programme note, director-designer Leo Gene Peters observes that everything alive is “constantly moving and evolving, changing and shifting,” and asks, “How do we live fluidly when everything in our world teaches us to solidify our identity, our beliefs?” [more] |
![]() reviewed by John Smythe 26 Aug 2006 |
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Inconceivable Timely warning or paranoid fantasy? Credible political scenario or absurdist theatre designed to make a political point? [more] |
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