 reviewed by John Smythe 27 Oct 2006 |
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Brothers at the crease It’s one thing to rip the scab off a tinny but to expose the running sore of Kiwi/Aussie relations by reuniting – if that’s the word – two estranged brothers 25 years after the infamous “ball of shame” split their family asunder … Mate, I’m telling you, it makes for bloody good theatre. [more] |
 reviewed by John Smythe 4 Nov 2006 |
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Well worth revisiting It’s a brave new director who casts other new directors in the showcase production that sees her complete her Master of Theatre Arts. [more] |
 reviewed by John Smythe 4 Nov 2006 |
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Rage against the aging of the bod Talk about a couple of old slappers! And people are; talking about Fishnet in a positive “catch it if you can” kind of way. What began as an exploratory idea in last year’s Dance Your Socks Off festival returns for another brief Wellington season in mature form: confident, witty, surprising and wicked. [more] |
 reviewed by John Smythe 11 Nov 2006 |
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Yes - and ...? arcane adj. mysterious, secret, obscure, understood by few … I always approach the BATS STAB season with anticipation, intrigue, excitement and, of course, trust ... [more] |
 reviewed by John Smythe 12 Nov 2006 |
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Suck it and see Gothic horror for the festive season ... In John Parker’s stark, dark and versatile set, this Catherine Downes-directed production of the original stage adaptation of Bram Stoker’s classic Victorian novel Dracula (1897) is perfectly pitched for dramatic veracity and emotional truth, with just a hint of tongue in the cheeks of the otherwise straight faced characters. [more] |
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GOLDEN BOYS at Circa Two reviewed by John Smythe 3 Feb 2006 |
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Facing murder “Growing up is murder,” says a character in Golden Boys. The playwright, Paul Rothwell, was a child when the 1987 abduction and murder of Teresa Cormack dominated the news. A challenging play in style and content, superbly directed by David Lawrence with yet another under-funded co-op of extremely talented actors (who also co-design the excellent set), it explores the effect of child murder on three young boys and their communities. [more] |
 reviewed by John Smythe 20 Nov 2006 |
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Feelgood festive fare ... This year it’s a new version of Aladdin, a fun family romp delivered with committed verve by a cast of seven, plus a puppet and one musician (last year it was Cinderella, which is now playing at the Fortune in Dunedin). It promises to pack ’em out and nothing I say should dissuade seekers of feel-good festive fun from going. [more] |
 reviewed by John Smythe 20 Nov 2006 |
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Theatre of enigma and intrigue An audience walks into a bar. They’ve come alone, in pairs or in small groups, expecting a play. So as they buy drinks and gather at small tables in the space beyond one end of the basement bar, they become an audience, in waiting ... [more] |
 reviewed by John Smythe 17 Dec 2006 |
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Brilliance and confusion in turbulent work When radical change causes emotional turmoil, the journey through turbulence towards some sense of equilibrium makes for classic SEEyD Theatre Company drama and comedy. [more] |
 reviewed by John Smythe 17 Jan 2007 |
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Does obscurity make it Art? When a show feels longer than it actually is and the audience doesn’t realise when it has finished, its makers must know there’s more work to be done. [more] |
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