 PENINSULA at Circa One reviewed by Laurie Atkinson (The Dominion Post) 27 Feb 2012 |
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Actors carry off testing dual roles Jane Waddell and her cast and crew (particularly Chris Ward’s sound effects) have done New Zealand theatre proud in this International Arts Festival with a beautifully realised production of Gary Henderson’s Peninsula. [more] |
 reviewed by Rosabel Tan (Theatre Scenes - Auckland Theatre Blog) 27 Feb 2012 |
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You Can Be a Successful Woman, Too! (Terms and Conditions Apply) When people talk about women having careers, there’s a trade-off implied: You can’t have a career and a family – one will suffer if you try, and if you pursue the former, you’re defeminised: there’s something wrong with you or, at the very least, your womb. [more] |
 MICHAEL JAMES MANAIA at Downstage Theatre reviewed by Ewen Coleman (The Dominion Post) 27 Feb 2012 |
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Using energy and power to brings a story to life Often a solo piece of theatre following a person’s life story uses different time frames and flash backs as a way of heightening the production theatricality. Not so John Broughton’s play Michael James Manaia. His is a simple yet effective and very powerful piece of storytelling brought to life with energy, power and commitment by Te Kohe Tuhaka in Taki Rua’s production under the direction of Nathaniel Lees. [more] |
 ECHOLALIA at Gryphon reviewed by Caoilinn Hughes 26 Feb 2012 |
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Original, heart-felt and poignant Jen McArthur’s performance is comically inventive, narratively compelling, physically punctilious and creatively winning in her one-woman show Echolalia. It runs until tomorrow (February 27th) at Gryphon Theatre as part of the Wellington Fringe Festival. [more] |
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PENINSULA at Circa One reviewed by John Smythe 26 Feb 2012 |
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Essential theatre in every respect Nearly seven years ago I wrote that Gary Henderson's Peninsula was "clearly destined to become a classic". I now have to revise that opinion: it is a classic – and insofar as its insights into individual and communal human experience are timeless and universal, it always has been. [more] |
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NZ Fringe Festival 2012 RAW CIRCUS at Wellington Circus Hub, Newtown reviewed by Greer Robertson 26 Feb 2012 |
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Skills with no Frills. This is the first public performance of emerging circus artists in their new premises as they showcase their work. A take it as it is, no fuss, no frills one-off raw performance with koha exit as part of the Fringe Festival. [more] |
 PARABELO/ONQOTO at St James Theatre reviewed by Jennifer Shennan (Dominion Post) 26 Feb 2012 |
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Review: Parabelo and Onqoto This contemporary dance company from Brazil is a hugely energising way to lift the curtain on Wellington's 14th season of the International Arts Festival. Bravo. [more] |
 SHOW PONY at Aotea Centre at THE EDGE® reviewed by Nik Smythe 25 Feb 2012 |
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‘Avin’ a laff with universally personal shtick Nisha Madhan and Alexa Wilson introduce eachother (several times over) with various praiseworthy acknowledgments such as "multi-award-winning choreographer" (Wilson) and "former Shortland Street sweetheart" (Madhan), or my personal favourite: "My former flatmate, my future wife." [more] |
 PROVIDENCE at Lower NZI, Level 1, Aotea Centre reviewed by Vanessa Byrnes 25 Feb 2012 |
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Waiting for more But after an hour of trying to work out the what, why and who of this piece I am left disappointed, slightly annoyed at unfulfilled promises, and wondering where the theatre of the piece has gone to. I don’t get it, despite wanting to. [more] |
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reviewed by Joanna Page 25 Feb 2012 |
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Unquestionable excellence questions the '80s Last night, Director Shane Bosher and his Top Girls cast took me back in time to 1980s England under Thatcher; when the shoulder pads were as sharp as cheekbones, and no one had heard of an iPhone. The music scene exploded with anthems and feel-good vibes, and businesswomen thought they were finally their male colleagues’ equals. [more] |
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