 reviewed by Alexa Wilson 28 Jan 2012 |
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A mysterious and exotic ensemble of works The smaller, hidden rooms of The Civic Theatre become home to a cocktail of ideas around far away places, self consciously exotic or otherwise, including new technologies which involve triggers, masks and weirdness, and playful improvisation. [more] |
 reviewed by Helen Sims 27 Jan 2012 |
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Quirky comedy neatly resolved Forced by proximity to interact, tensions between the families soon arise. Against an idyllic beachside backdrop, the space between the caravans becomes the ground for fiery exchanges between families, couples, adults and children. [more] |
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reviewed by James Wenley (Theatre Scenes) 27 Jan 2012 |
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An astounding Journey into the unknown The Civic Main stage is dark, waiting for its first performance of the year. But the building is alive – are to be member. The show is Bathing with Elephants and other exotic reveries, with much for the intrepid audience member to encounter. [more] |
 reviewed by Laurie Atkinson (The Dominion Post) 26 Jan 2012 |
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A time for reflection The image used to promote Munted, a new piece of documentary theatre about the Christchurch earthquakes, is a cracked cup and saucer. On it is a picture of the Cathedral and the Chalice. [more] |
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reviewed by John Smythe 25 Jan 2012 |
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Powerful and humane yet often humorous Nothing beats ‘truth’ when it comes to good theatre. There are many ways of seeking it out and sharing it, and the Bare Hunt Collective’s ‘documentary/verbatim’ genre is an extremely compelling and effective one. [more] |
 reviewed by Craig Beardsworth (Capital Times) 25 Jan 2012 |
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Shapeless In the 1940’s America was gripped by the trial of ‘The Lonely Hearts Killers’. Raymond Fernandez scanned the personal lonely hearts column looking for rich spinsters wanting companionship. He wooed then married them and Martha Beck posing as his sister helped him knock them off. This gruesome story has provided rich pickings for Michael Williams to generate a musical. [more] |
 reviewed by Megan Smith 23 Jan 2012 |
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Utterly delectable! Filled with detail, intricacy and beautifully directed, the evening flowed seamlessly. A far cry from the usual format, that can often feel, well, foreseeable. By contrast we were seduced with a selection of well-paced and well-timed unpredictability. Did we expect the sailor with his back to us, slowly stripping away his crisp white navy uniform revealing his tanned muscular back, to turn out to be a hot blonde? Most certainly not. Could we have anticipated the hypnotic stage presence of the only male in the show, Arian Levanael, to be a mastery of hoop and silks, so effortless, so accomplished and well, so damn sexy in leather and then in sequins? Possible only in our dreams… [more] |
 reviewed by Jesse Quaid 22 Jan 2012 |
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A cocktail of delight Cheerfully risqué The Wunderbar Spectacular stays comfortably within the humorous side of erotic, providing a constantly entertaining variety that easily holds the attention. [more] |
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reviewed by Jo Hodgson 19 Jan 2012 |
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Top quality musical theatre It’s a brilliantly told tale about two deeply unhappy and lost individuals – Ray Fernandez, a gold digger, and Martha Beck, an oppressed, ‘damaged’ solo mother of two – who are brought together, one through greed and the other need, through a Lonely Hearts club. [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 19 Jan 2012 |
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Musical revives old murder story The theatrical year kicks off at Bats with something dark and strange: a home-grown chamber murder-musical. It’s based on a true story of two murderers, Martha Beck and Raymond Fernandez who murdered about twenty women between 1947 and 1949. [more] |
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