 reviewed by John Smythe 17 Nov 2011 |
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Nothing could be more immediately relevant “Nothing much has changed in 2000 years of politics,” claims the media release, and we only have to look at the news over the past few months to prove that’s absolutely true in Rome (vale Berlusconi) and pretty well everywhere else in Europe. And the Middle East. Australia and New Zealand are also ruthless with their leaders. [more] |
 reviewed by Greer Robertson 17 Nov 2011 |
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Performers primed and focused Putting their life and love of dancing on the line, the graduating students open their 10 day season with pride. After years of blood sweat and tears, these performances mark the end of a personal era with the performers primed and focused on a fruitful future career in the dance industry. [more] |
 WAKE LESS at BATS reviewed by Lynn Freeman (Capital Times) 16 Nov 2011 |
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Pushing the envelope There are some plays you leave shaking your head, wondering if you have just seen a work of great complexity or something that was just trying too hard to be different. After sleeping on it, Wake Less falls somewhere between the two. [more] |
 reviewed by Laurie Atkinson 15 Nov 2011 |
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Refreshing drama of deceit and treachery about ‘The God that Failed’ Steele Roberts Publishers are to be congratulated for publishing Dean Parker’s play Midnight in Moscow and thereby rescuing it from becoming either a footnote to our theatrical history or a pub quiz teaser: Name the play that opened at the Court Theatre in Christchurch in February 2011 and closed after two performances ... [more] |
 reviewed by Kasey Dewar 14 Nov 2011 |
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Leaves you with that" happily ever after" feeling Overall this is a completely stunning production. The mammoth sets that are wheeled around the stage, intricate costumes totally suit their characters and spot on dancing from the Royal New Zealand Ballet combines to create one stand-out performance. [more] |
 reviewed by Greer Robertson 14 Nov 2011 |
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A festival of music, movement and colour The female dancer performing Kitri is clipped and concise, technically a large leap away from the standard of the corps de ballet as she includes her speciality of double fouettes executed with one hand on her hip. This one-handed skill is also seen in the pas de deux as her male partner lifts her with consummate ease in a one-armed pressage high above his head. [more] |
 reviewed by Gail Pittaway 14 Nov 2011 |
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Good vibrations bring sexual and emotional emancipation It’s hard to avoid dreadful puns for this unusual comedy by contemporary American writer Sarah Ruhl, when the subject is the use of an electrical vibrator used by doctors in the late nineteenth century to cure women of hysterical illnesses by inducing physical release, a paroxysm; an orgasm, by any other name. [more] |
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WAKE LESS at BATS reviewed by Laurie Atkinson (The Dominion Post) 14 Nov 2011 |
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Travel in dreams offers big range of destinations I found Wake Less was like being in a dream in which I was caught up in an extended Monty Python sketch to which I reacted like I do to most Monty Python sketches by laughing and at times nonplussed as to why I was laughing and why others were laughing when I wasn’t. [more] |
 reviewed by Hannah Molloy 13 Nov 2011 |
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A surprisingly seamless story Dances About Love is just that – a series of dances about learning how to love oneself, someone else or some way else. It is about learning to accept self and other and to accept difference as normal, human. The difference in the choreographers’ approach to this story is itself a reflection of the way difference blends to make humanity what it is and what it could be. [more] |
 reviewed by Felicity Molloy 13 Nov 2011 |
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That was some enchanted evening! A perfect mix of nature, design machination, and art. [more] |
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