 reviewed by Lynn Freeman (Capital Times) 16 Aug 2006 |
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Exquisite, delicious classic Dylan Thomas’ play is poetry in motion, in this instance lovingly directed by Rachel More and performed by her cast of four. [more] |
 reviewed by Lynn Freeman (Capital Times) 23 Aug 2006 |
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Future of theatre (groups A & D) One of the most striking aspects of this year’s 20-minute mini-masterpieces is the comedy – sometimes subtle, sometimes in your face, sometimes genuinely shocking. [more] |
 reviewed by Lynn Freeman (Capital Times) 13 Sep 2006 |
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The wizardry of Artificial Intelligence Wouldn’t it be reassuring if we could not only erase painful memories of harsh words said to the people we love who’ve died – but rewrite them too. [more] |
 reviewed by Lynn Freeman (Capital Times) 27 Sep 2006 |
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Transforming performance not to be missed The opening night audience at Downstage had impossibly high expectations of Kerry Fox in this solo play. She met and surpassed them. [more] |
 reviewed by Lynn Freeman (Capital Times) 11 Oct 2006 |
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What a Ripper Albert Belz wields his pen with the same surgical skill and precision as his protagonist, Jack the Ripper, in this revisiting of one of the great unsolved murder mysteries. [more] |
 reviewed by Lynn Freeman (Capital Times) 18 Oct 2006 |
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For music lovers and historians Twenty years after Circa last performed David Pownall’s play Master Class, set in 1948 in the old Kremlin in the old USSR, two of that cast are back in the same roles, as is the director, Ross Jolly. [more] |
 reviewed by Lynn Freeman (Capital Times) 1 Nov 2006 |
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Screaming out for atmosphere and menace Nga Tangata Toa is ultimately a tale of revenge, utu, taken to the very and bitter extreme – not iwi vs iwi, but family vs family. Two estranged women, one Maori who married into Pakeha society (Rongomai with her dreams and healing powers), one Pakeha who married into a Maori family (Rose, who cheats on her soldier husband and is expelled from the Marae), are driven by anger and hurt to harm those they feel betrayed them. This is hatred born of a kind of insanity, with devastating, bloody results. [more] |
 reviewed by Lynn Freeman (Capital Times) 8 Nov 2006 |
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You'll be puzzled Two plays by two sisters, performed simultaneously, sharing a cast, props, soundtrack and a stage separated by a door – it just has to be a STAB commission by Bats theatre. [more] |
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GOLDEN BOYS at Circa Two reviewed by Lynn Freeman (Capital Times) 1 Feb 2006 |
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Still sadly topical but rewrite bloated It’s a rare thing for a playwright to have the chance to rework and expand a script a couple of years after its premiere, and get in an award winning director and a top cast. I remember Paul Rothwell’s original Golden Boys where the writer had to step in for one of the actors at the last minute. It was stark, spare, haunting and sadly topical. It’s still, just as sadly, very topical, this tale of young people whose lives are irreparably damaged by the brutal death of a boy. [more] |
 reviewed by Lynn Freeman (Capital Times) 15 Nov 2006 |
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What's Up? This production is a puzzle, but one worth the effort of time and thought. [Check out the stream of comments under John Smythe's review!] [more] |
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