 reviewed by Helen Sims (The Lumiere Reader) 13 Dec 2007 |
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Visceral, imaginative and highly entertaining “Hot. Sexy. Cruel. Tender. Savage. Raw.” This was how the Almost a Bird Theatre Collective production of Tennessee William’s classic play was billed. They seemed to have set themselves an ambitious challenge, mining the primal out of sublimely rich material. This was well achieved ... [more] |
 reviewed by Anna Chinn (New Zealand Listener) 2 Jun 2008 |
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A heart’s Desire … Director Jef Hall-Flavin, after whose name the Fortune’s marketers have taken to writing a reverential “(USA)”, has returned to Dunedin to bring us A Streetcar Named Desire after his success with The Clean House last year. [more] |
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reviewed by Brenda Harwood (The Star Newspaper, Dunedin) 26 May 2008 |
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Absorbing emotionally powerful drama – a theatrical tour-de-force Stellar performances a Pulitzer Prize-winning script, and tight, gritty direction combine to make the Fortune Theatre production of Tennessee Williams' A Streetcar named Desire a theatrical tour-de-force. [more] |
 reviewed by John Smythe 26 Aug 2009 |
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Eight bites of the Apple Two Off-Broadway shows, one freebie in Central Park and five Fringe shows sweetened my too-few days in the Big Apple. [more] |
 reviewed by John Smythe 8 Feb 2013 |
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Irreverent adaption cuts to an essence On as balmy a summer night as Wellington has ever produced, the cast aboard the East-West Ferry have trouble convincing us we have been hit by a terrible tempest and are in mortal danger. But we get the idea and play along. [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 11 Feb 2013 |
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Intricacy lost in harbour crossing A Tempest starts on board the ferry taking the audience to Matiu-Somes when the crew suddenly start to panic. Well, I think that what was happening as the sailors’ shouting was completely drowned out by the noise of the ferry’s engines. [more] |
 reviewed by Sian Robertson 22 Oct 2011 |
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The quest for “a home, love and good health” The setting moves back and forth between the refugee camp in Zaire and Philippe’s village in Rwanda, where he grew up and where he was suddenly plunged into the nightmare, during which his loved ones were slaughtered and he barely escaped the ‘devils in the night’. [more] |
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reviewed by Janet McAllister (New Zealand Herald) 28 Oct 2011 |
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Sensitive play transcends horror of death in Rwanda The thought of a play about the Rwandan genocide may make you uneasy, but don’t let it put you off this excellent, sensitive, unusual production. It involves machetes at brief moments, but the play maintains a poetic, symbolic theatricality throughout. [more] |
 reviewed by Toby Wray 13 Apr 2012 |
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Striking emotional chords Entering the performance space, it’s clear from the set filled with rugs, Beatles posters, Uncle Sam propaganda, lanterns, a large peace sign and musical instruments, that what is about to be presented is a musical showcase. [more] |
 reviewed by Lindsay Clark 12 Sep 2009 |
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Entertained by Poe’s predicament When the imagination of well-know improviser turned playwright Jeff Clark connects with the tormented mind of the nineteenth century's master of macabre poetry - once described as "three fifths genius and two fifths sheer fudge" - expect something out of the ordinary. [more] |
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