 reviewed by Lynn Freeman (Capital Times) 14 Feb 2007 |
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Sure-footed direction and dance This quintessential Kiwi tale set in the Saturday Night Dance era is a nostalgic, toe tapping, feel-good show that got the opening night audience to its feet – to dance and to applaud. There’s a little bit of ‘deep and meaningful’ in there but mainly it’s about having a laugh, lots of innuendos, and a hark back to more innocent years. [more] |
 reviewed by Lynn Freeman (Capital Times) 21 Feb 2007 |
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Terrific play Faith and doubt needn’t be contradictory, in fact, argues Father Flynn, doubt can be a powerful aid to the faithful. But in John Patrick Shanley’s Pulitzer Prize winning play, the doubt Sister Aloysius feels either puts her on the side of the angels or makes her a dangerously misguided zealot. You choose. [more] |
 reviewed by Lynn Freeman (Capital Times) 21 Feb 2007 |
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Physical better than verbal Funny old thing, inspiration. The Pecking Order had its origins in a meeting between one of the two playwrights, Kent Seaman, and a pigeon. From that he and Sophie Stone created a play that compares and contrasts the lives of pigeons and people, and finds them not so very different in fact. [more] |
 reviewed by Lynn Freeman (Capital Times) 21 Feb 2007 |
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Needs work? David Geary’s short experimental play A Man Walks Into a Bar is performed in a bar, which works, but the play itself needs work. It’s not quite one thing nor the other. Much of it sees the actors telling variations of a man / woman / crocodile/ horse walks in to a bar and says… [more] |
 reviewed by Lynn Freeman (Capital Times) 21 Mar 2007 |
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Indictment on a nation Watching this no-holds barred Australian political thriller/satire makes you wonder why we don’t see this kind of work much here in New Zealand. Perhaps our politicians are too bland, our burning issues not dramatic enough, or maybe it’s part of a nationwide political apathy ... [more] |
 reviewed by Lynn Freeman (Capital Times) 28 Mar 2007 |
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Relationships and hormones School is over – and on the last day, four friends gather to work out how to mark the big occasion. But there are bigger issues at stake for each of them than which of the numerous parties to attend. One is a life or death decision while others test friendships through betrayal. [more] |
 reviewed by Lynn Freeman (Capital Times) 28 Mar 2007 |
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Bland to the bone Paul Rothwell’s plays are twisted, dark, weird and often divisive amongst critics, but until Kissing Bone they’ve never been dull. [more] |
 reviewed by Lynn Freeman (Capital Times) 4 Apr 2007 |
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Nostalgic curiosities In its time The Graduate shocked viewers – an older married woman seducing the 20 year old son of her best friends, he then goes on to fall in love with the woman’s daughter. Now it takes a lot more than that to shock audiences, so this is far more of a nostalgic piece of theatre. [more] |
 reviewed by Lynn Freeman (Capital Times) 4 Apr 2007 |
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Très charmant Think a French stage version of Last of the Summer Wine, set in an old soldiers’ home in 1959. Three curmudgeonly old codgers, physically and psychologically scarred by the war, plan their last great campaign – the great escape from the old chateau and the nuns who run it with military precision. They want out, not because of mistreatment so much as a need for adventure, as those around them die off. ... [more] |
 reviewed by Lynn Freeman (Capital Times) 18 Apr 2007 |
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Refreshing, relevant theatre Portraying a relatively recent ‘real life’ murder on stage is a gutsy thing to do, more so when it’s the beating to death of a 14 year old for nothing more than being a little different and in the wrong place at the wrong time ... [more] |
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