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THE BLONDE, THE BRUNETTE AND THE VENGEFUL REDHEAD at Downstage Theatre
reviewed by Lynn Freeman (Capital Times) 27 Sep 2006
Transforming performance not to be missed
The opening night audience at Downstage had impossibly high expectations of Kerry Fox in this solo play. She met and surpassed them. [more]

YOURS TRULY at BATS
reviewed by Lynn Freeman (Capital Times) 11 Oct 2006
What a Ripper
Albert Belz wields his pen with the same surgical skill and precision as his protagonist, Jack the Ripper, in this revisiting of one of the great unsolved murder mysteries. [more]

MASTER CLASS at Circa One
reviewed by Lynn Freeman (Capital Times) 18 Oct 2006
For music lovers and historians
Twenty years after Circa last performed David Pownall’s play Master Class, set in 1948 in the old Kremlin in the old USSR, two of that cast are back in the same roles, as is the director, Ross Jolly. [more]

NGA TANGATA TOA - THE WARRIOR PEOPLE at Downstage Theatre
reviewed by Lynn Freeman (Capital Times) 1 Nov 2006
Screaming out for atmosphere and menace
Nga Tangata Toa is ultimately a tale of revenge, utu, taken to the very and bitter extreme – not iwi vs iwi, but family vs family. Two estranged women, one Maori who married into Pakeha society (Rongomai with her dreams and healing powers), one Pakeha who married into a Maori family (Rose, who cheats on her soldier husband and is expelled from the Marae), are driven by anger and hurt to harm those they feel betrayed them. This is hatred born of a kind of insanity, with devastating, bloody results. [more]

Illustration by Stephen Templer
I AIN'T NOTHING BUT / A GLIMMER IN THE DARK, SHE SAID at Shed 11
reviewed by Lynn Freeman (Capital Times) 8 Nov 2006
You'll be puzzled
Two plays by two sisters, performed simultaneously, sharing a cast, props, soundtrack and a stage separated by a door – it just has to be a STAB commission by Bats theatre. [more]

GOLDEN BOYS at Circa Two
reviewed by Lynn Freeman (Capital Times) 1 Feb 2006
Still sadly topical but rewrite bloated
It’s a rare thing for a playwright to have the chance to rework and expand a script a couple of years after its premiere, and get in an award winning director and a top cast. I remember Paul Rothwell’s original Golden Boys where the writer had to step in for one of the actors at the last minute. It was stark, spare, haunting and sadly topical. It’s still, just as sadly, very topical, this tale of young people whose lives are irreparably damaged by the brutal death of a boy. [more]

ARCANE at BATS
reviewed by Lynn Freeman (Capital Times) 15 Nov 2006
What's Up?
This production is a puzzle, but one worth the effort of time and thought. [Check out the stream of comments under John Smythe's review!] [more]

ROGER HALL'S ALADDIN - THE PANTOMIME at Circa One
reviewed by Lynn Freeman (Capital Times) 22 Nov 2006
It's all about the experience
Roger Hall loves pantos and his passion is catching on. His panto Cinderella was a hit last year and this year’s Christmas treat, Aladdin, is packing out. It’s light and frothy, with a few jabs at politicians ... [more]

TURBINE at BATS
reviewed by Lynn Freeman (Capital Times) 6 Dec 2006
In a spin over windfarming
Renewable energy – it’s got to be the right way to go for this small energy hungry country of ours – right? Instead of cursing the gales that thrash the Wellington region, surely we should harvest them. We’ve damned the rivers, we’re passionately nuclear free, our gas supplies are petering out, again that leads us back to wind ... [more]

HAMLET, PRINCE OF DENMARK at Brooklyn Community Centre
reviewed by Lynn Freeman (Capital Times) 6 Dec 2006
Terrific Shakespearean ensemble
The Bacchanals are indeed like the travelling players who come to Elsinor (though far better actors it must be said), as they take this free production of Hamlet out and about Wellington. Don’t let the fact it’s free fool you into thinking its not of a professional standard – it most certainly is, indeed, it’s one of the most engaging productions seen in the Capital this year. [more]
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