 reviewed by Lynn Freeman (Capital Times) 21 May 2008 |
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Tricky threesome Three strangers, struggling to deal with personal tragedies, each find comfort in unexpected places. They are all trying to escape their feelings … guilt, abandonment, heartache. Yet their stories aren’t related, with British writer John Donnelly carefully and cleverly structuring his play as three monologues which intersect each other. [more] |
 reviewed by Lynn Freeman (Capital Times) 21 May 2008 |
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Love lacking It starts off as fairly trad musical fare, boy meets girl, they fall in love, get married, live happily (and this is where it veers off the path most trodden) for a while then it all falls apart. Jamie and Cathy started off with such promise, he as an aspiring and talented young writer, she as a singer looking for her big break. As his career rockets away, she struggles with life in the suburbs and his rapidly expanding ego. [more] |
 reviewed by Lynn Freeman (Capital Times) 4 Jun 2008 |
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War on Terror commentary Completing a trilogy of razor sharp contemporary political plays in Wellington at the moment, is Peter Morris’ Guardians, a Fringe First winner at the Edinburgh Festival. Morris is American but with a foot also in the UK, and here one of his characters is all American, the other a quintessential modern Fleet Street journalist. [more] |
 reviewed by Lynn Freeman 4 Jun 2008 |
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A curious show with plenty of magic Whimsy has come to Wellington with this production – and magic, music, mischief and mayhem. [more] |
 reviewed by Lynn Freeman (Capital Times) 11 Jun 2008 |
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Brilliant McDonald This is an endearing solo play about a woman, reluctantly divorced, trying to cope with being alone despite her frustrations with her husband. It’s a play that will resonate with many, and even if you’re in a happy ever after relationship, or happily alone, there are more than enough laughs to keep you entertained. [more] |
 reviewed by Lynn Freeman (Capital Times) 11 Jun 2008 |
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Well performed and directed Spring Awakening is both a perfect choice of production for a cast of young actors, and a damned difficult one. Frank Wedekind looks into that inherent conflict of being a teenager – being treated as a child while having to face up to being an adult, burgeoning sexuality, excitement and despair. [more] |
 reviewed by Lynn Freeman (Capital Times) 25 Jun 2008 |
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Two out of three There’s lots of thinking and talking about sex, and some action, in all three young and hungry plays. And teenage angst, though teens have much to angst about being betwixt and between childhood and adulthood, all those peer pressures, hormones of course and wondering what the future will hold for them. Even with these commonalities, this year’s batch of plays are wonderfully different. [more] |
 reviewed by Lynn Freeman (Capital Times) 18 Jun 2008 |
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This play will stay with you The imagination is a powerful beast. It can create problems where there are none, it can spice up your sex life, it can drive you mad or save you from going crazy. [more] |
 reviewed by Lynn Freeman (Capital Times) 16 Jul 2008 |
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Will move you Incessant pressure from work, from family, so many expectations, so little time, so much stress. It’s enough to make you turn into someone you don’t recognise. Or something. [more] |
 reviewed by Lynn Freeman (Capital Times) 30 Jul 2008 |
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Original voice The Mall, length aside, is a well imagined and crafted script which is enhanced by the cast, who never slip out of character even when they’re scooping ice creams or writing in the background. Todd Emerson, Samuel Bowen Partridge, Lara Fischel-Chisholm, Morgana O’Reilley, Benedict Wall and Kate Simmonds epitomise ensemble acting, and the way they flow in and out of very different characters is remarkable. [more] |
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