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reviewed by Michael Wray 25 May 2011 |
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Slightly self-mocking songs and stories As segues between songs, Keller amuses us with tales that take us from high school to present day. Whether the stories have been written to fit the song selection or the songs picked to fit the stories is up for debate, but it provides an opportunity for her to interact with the audience and set a light, slightly self-mocking tone. [more] |
![]() reviewed by John Smythe 25 May 2011 |
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An excellent way to end the day or start your evening The song that gives the show its name ... is a tragic little cautionary tale about trying to silence a bird who knows too much and sings about it too loudly. But having delivered it with a blend of innocence and savagery, Billie is perky and warm in her welcome [more] |
![]() reviewed by Lynn Freeman (Capital Times) 25 May 2011 |
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We know where this bird’s going Aroha White is a talented actress, she has a singing voice that’s easy on the ear, and she has devised a work for this space specifically. [more] |
![]() reviewed by Paul Simei-Barton 23 May 2011 |
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Polished cast add sparkle to spectacle At a time when the supremacy of American culture appears unassailable, Miss Saigondelivers a timely reminder of the Vietnam experience with the haunting image of a helicopter evacuating the embassy in Saigon providing a sharp warning about the dangers of hubris. [more] |
![]() reviewed by Bernadette Rae (NZ Herald) 23 May 2011 |
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A bejewelled celebration of the primordial feminine Elizabeth Kirk, Julie van Renen and Liana Yew are the transcendent dancers, faultlessly powerful and yielding, lyrical and angular, quirky, cute, quicksilver, compelling - and immeasurably serene. [more] |
![]() reviewed by Karyn Cushen 22 May 2011 |
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Of loss and sacrifice There was a lot of hype surrounding the North Shore Music Theatre’s production of Miss Saigon and, of course, the successful contracting of Tina Cross as a female lead. Understandable to a certain extent, given that it’s the first time Auckland has played host to Alain Boublil and Claude-Michel Schonberg’s epic musical... [more] |
![]() reviewed by Greer Robertson 21 May 2011 |
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Stravinsky commands the evening Omnipresent Stravinsky ...master of the musical revolution forever lives on. Under the meticulous baton of conductor Marc Taddei, he and the Vector Wellington Orchestra command the evening, taking no prisoners. [more] |
![]() reviewed by Craig Beardsworth (Capital Times) 21 May 2011 |
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Deeply satisfying Be warned, if you want a rollicking, jolly night out at the theatre then this might not be for you. There is nudity, strong language and raw subject matter. But if you want a deeply satisfying theatrical experience then go see this play [more] |
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New Zealand International Comedy Festival 2011 THE IMPROVISORS IN POLITICS – THE MUSICAL at Circa Two reviewed by Helen Sims 20 May 2011 |
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Light-hearted fare feels genuinely fresh After seeing Politics: The Musical you start to wonder how much of what comes out of politicians’ mouths could just be made up on the spot – not to mention be put to song. The Budget would surely be more amusing if it was put to a hip hop beat. [more] |
![]() reviewed by Greer Robertson 20 May 2011 |
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Suitably equipped to foster their inspiration Ten fresh new works from emerging choreographers [more] |
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