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LA CAGE AUX FOLLES at Court One
reviewed by Lindsay Clark 23 Nov 2008
Emotional riches ping a nerve ending
Applause will be long and heartfelt for this choice if the standing ovation that erupted on the opening night is anything to go by. The team of Rasmussen and Marrett has done it again, with a cherry on top! [more]

Auckland Festival AK07
LA CLIQUE at Spiegeltent, Red Square, Britomart
reviewed by Kate Ward-Smythe 12 Mar 2007
Intimate spectacle – for those who booked
Spectacular vignettes of entertainment aside, what I love most about La Clique, is the brazen passion each member of the team throws into their generous performances ... [more]

Auckland Festival 2009
LA CLIQUE at The Spiegeltent
reviewed by Nik Smythe 6 Mar 2009
Fun provokes frenzy
The festival programme copy calls tells us La Clique is mesmerizing, sexy, wild… Captivating certainly if not mesmerically entrancing; risqué and raunchy if not (entirely) erotic; but while the audience was stirred to what could for an Auckland audience be described as a frenzy, this crew is evidently in virtually complete control of what they are doing. [more]

LA CREDUTA MORTA at BATS
reviewed by John Smythe 8 Aug 2006
Tragical comedy
With a light touch and refreshing energy, the ensemble rattles through a potted version of the plot, taking infectious pleasure in their work. [more]

Auckland Arts Festival 2011
LA ODISEA – THE ODYSSEY at Maidment
reviewed by Janet McAllister (New Zealand Herald) 10 Mar 2011
Powerful retelling of Homer’s epic engrossing from start to finish
Teatro de Los Andes, based in Bolivia, offered to stage their "earthquake play" here instead of La Odisea, but were turned down for logistical reasons. As it happens, much echoes the ongoing Christchurch tragedy anyway ... [more]

Photo: Maarten Holl
LA SYLPHIDE at St James Theatre
reviewed by Lyne Pringle 1 Aug 2009
Highly enjoyable and satisfying
The Bournonville style, essentially the unfiltered 19th century technique of the French school of classical dance, is light and airy with lightening fast and assured petite batterie for the feet and a soft rounded use of the arms. It is a pleasing form and in this production the company, dancing finely, step up to evoke a world of mystery and beauty. [more]

Photo: Maarten Holl
LA SYLPHIDE at St James Theatre
reviewed by Jennifer Shennan (The Dominion Post) 31 Jul 2009
Brave and bright ballet perfect on a cold night
This night at the ballet is spirited, poignant and beautiful, for a host of reasons and all of them the right ones. [more]

Photo: Maarten Holl
LA SYLPHIDE at Aotea Centre at THE EDGE®
reviewed by Bernadette Rae (New Zealand Herald) 28 Aug 2009
Polished performances capture true spirit of this melodramatic dance
The artistic ideals of the Danish balletic tradition are faithfully and beautifully reproduced in this Royal New Zealand Ballet season of La Sylphide, choreographer August Bournonville’s hallowed contribution to the Romantic style. [more]

Photo: Maarten Holl
LA SYLPHIDE at Isaac Theatre Royal
reviewed by Kerri Fitzgerald 9 Aug 2009
Timeless Romantic ballet demonstrates talents
When a recession is biting, the magical world of Romantic ballet becomes more inviting. The dancers of the RNZB grace the stage presenting an enchanting programme offering the heart warming Dances from Napoli followed by the historic tale of obsessive love: La Sylphide. [more]

Photo: Maarten Holl
LA SYLPHIDE at Aotea Centre at THE EDGE®
reviewed by Nicholas Rowe 28 Aug 2009
Perpetuating imperial European cultural legacies
The Royal New Zealand Ballet’s latest offering of Dances from Napoli and La Sylphide presents a nostalgic homage to 19th Century Danish choreographer August Bournonville. As with all such homages, this production raises important cultural questions. [more]
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