![]() LADY OF TEARS at Gryphon reviewed by Kate Blackhurst (The Lumiere Reader) 27 Feb 2008 |
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Downright odd Billed as ‘a rather strange play written and directed by Dan Ashworth’, Lady of Tears doesn’t disappoint. [more] |
![]() LADY OF TEARS at Gryphon reviewed by Jackson Coe 27 Feb 2008 |
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Just terrible Watching Lady of Tears was like being jumped by a masked assailant with horribly bad breath and really stinky armpits. The direction was horrendous, the script was lacking and the performances were wooden. It was utterly ghastly. [more] |
![]() LADYFORCE QUATRE at The Auckland Performing Arts Centre: TAPAC reviewed by Cat Gwynne 10 Oct 2008 |
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Astounding onstage charisma The curtain is open to reveal a contained box of darkness given by the frame of the stage. We hear sharp glitches of sound, their unsettling tone driving us into an anxious yet abstract dimension. As tension sets in, the darkness leans our curiosity towards a new yet familiar noise. [more] |
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reviewed by Lindsay Clark 18 Jul 2010 |
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Everyday objects made magic with extraordinary skill Physical theatre of this calibre comes rarely, so that when it does the magic is all the sweeter. The polish of international touring has in no way dulled the sheer fun and sparkle of the multi-talented Wolfe Bowart, whose charm has his audience captivated from the moment ... [more] |
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reviewed by Moreen Eason & John Jefferies 22 Jul 2010 |
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Pure delight in finding the light La La Luna is enchanting. And Mad. And funny. And magical. And enthralling! It transcends all ages and cultures. The audience, from the very young to the very old, was entranced and mesmerised by Wolfe Bowart’s amazing one-man show ... [more] |
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NZ Fringe Festival 06 LANCE A BOYLE'S AUDITION at Paramount reviewed by John Smythe (John Smythe: theatre reviews) 16 Feb 2006 |
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Committed - like a crime ... But it is surely fair to expect those who’ve been given a prime venue spot in good faith will keep the faith by putting some effort, skill and commitment into making a show worth punters risking their hard-earned dollars and valuable time on. [more] See also reviews by: Ewen Coleman (The Dominion Post); Lynn Freeman (Capital Times); |
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NZ Fringe Festival 06 LANCE A BOYLE'S AUDITION at Paramount reviewed by Lynn Freeman (Capital Times) 22 Feb 2006 |
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Ghastly Some of the music is worth listening to but the production itself is a shocker. [more] See also reviews by: John Smythe (John Smythe: theatre reviews); Ewen Coleman (The Dominion Post); |
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NZ Fringe Festival 06 LANCE A BOYLE'S AUDITION at Paramount reviewed by Ewen Coleman (The Dominion Post) 18 Feb 2006 |
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Complete disregard for audience Lance A Boyles Audition, currently playing at the Paramount, fits squarely into the category of extreme, and is so bad is it that it has to be seen to be believed. [more] See also reviews by: John Smythe (John Smythe: theatre reviews); Lynn Freeman (Capital Times); |
![]() reviewed by Paul Simei-Barton (New Zealand Herald) 28 Jul 2008 |
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Upheavals of a mail-order bride The second instalment of Donna Banicevich Gera's trilogy on New Zealand's Dalmatian community explores the personal traumas and triumphs that lie beneath the familiar narrative of immigration. [more] |
![]() reviewed by Hap Richardson 24 Jul 2008 |
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The poetry of hardship The cast of characters in Donna Banicevich Gera's play Land Without Sundays feel so authentic, so convincingly three dimensional, that you could be forgiven for thinking that you walked into West Auckland vineyard in the 1930s. The star of this play is the words ... [more] |
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