 reviewed by Lindsay Clark 15 Feb 2007 |
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Energetic ensemble needs pace not speed Al fresco Shakespeare is full of promise and equally full of likely complications. There is the prospect of seeing a play freshly in the open air, and the delight of unimpeded leg room, picnics and a generally relaxed time of it. On the other hand there are bound to be encounters with the devils of sound technology, the necessity of bolder playing than many actors have experienced onstage and of course, the weather [more] |
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THE SHAPE OF THINGS at Court One reviewed by Lindsay Clark 18 Feb 2007 |
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Startling challenge to preconceptions Theatre goers in Christchurch have not had much excitement of late but suddenly this summer a startling and punchy play has arrived. As contemporary as tomorrow in its depiction of today’s love rituals, LaBute’s super-intelligent script dusts off the old questions about art, artists and their relationship to society as well. Under Ross Jolly’s assured direction, four young players bring them into sharp focus. [more] |
 reviewed by Lindsay Clark 23 Feb 2007 |
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A very talented line up This brave new company invites us to view echoes of Puccini's steamy and seamy La Boheme in the context of New York, 1996. The original production was highly acclaimed, winning both Tony and Pulitzer awards. [more] |
 reviewed by Lindsay Clark 9 Mar 2007 |
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No shortage of creative ideas Periodically, The Clinic group emerges to enliven the local theatre scene with challenging images and enterprising ideas. The current production, now almost at the end of its season, is no exception. [more] |
 reviewed by Lindsay Clark 22 Mar 2007 |
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Forge opens with a bang There is nothing trepid about The Court’s intentions to stage scripts ‘that couldn’t be ignored’ in the studio space, now renamed The Forge. [more] |
 reviewed by Lindsay Clark 26 Mar 2007 |
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Defining by confining to dining There is an enduring sense of solidity and assurance about this play, undeniable maturity in the wry humour of the playwright’s vision and confidence in his observation of the pakeha middle class world at the time of writing. Fourteen years after it first played at The Court, his chronicle of the Bishop family still has great audience appeal. [more] |
 reviewed by Lindsay Clark 28 Apr 2007 |
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Generous risk-taking If you have never been to a session of improvised performance and are not put off by the variable consequences of spontaneous decision making on the part of the players, you could very well have a new experience and a jolly evening out in store. In fact you could have a whole season of jolly evenings ... [more] |
 reviewed by Lindsay Clark 7 May 2007 |
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Generously laced with theatricality Something extraordinary and wonderful is happening on the Mainstage at The Court. Extraordinary because after all the years and in the face of contemporary brutalism, this filigreed piece of theatre – William Wycherley’s The Country Wife – still packs such impact; wonderful, thanks to direction from the masterly Elric Hooper, an inspired design team and an impeccable cast. [more] |
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BABYLON HEIGHTS at The Forge at The Court Theatre reviewed by Lindsay Clark 17 Jun 2007 |
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Risky theatre We were promised a ‘pitch-black’ comedy; we got one. [more] |
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THE THIRTY NINE STEPS at Court One reviewed by Lindsay Clark 17 Jun 2007 |
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A good hot toddy of a production It is hard to beat a good theatre frolic on a winter night and the sound of shared mirth as challenging adventures materialise and are triumphantly dealt with right there, a few steps away. They are adventures presented at a reckless pace, with little of the cat and mouse trepidation layered into the novel, but to see this new work as a Reader’s Digest version with live pictures, would be to underestimate the theatrical flair used to solve the challenges of a couple of hours of narration, not to mention the huge entertainment of its inventive staging. [more] |
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