 reviewed by Helen Watson White 13 Oct 2010 |
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The more powerful for being unforced Italian composer Claudio Monteverdi’s 1607 opera of the classical myth of Orpheus and Eurydice was a notable first, in a climate of innovation crystallised in the term ‘New Music’. In an exciting new development, chord progressions were replacing the contrapuntal weaving of musical lines familiar in the great church masses of composers like Palestrina. [more] |
 reviewed by Helen Watson White 10 Dec 2011 |
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Disciplined ensemble excellence aloows lightness and merriment to thrive "You'd be surprised how gullible people are," says Noel Coward's "blithe spirit", "We often laugh about it on the other side." It's good they can laugh, actually, because -- as his Madama Arcati remarks -- "We have no reliable guarantee that the afterlife will be any less exasperating than this one." [more] |
 reviewed by Kathryn van Beek 16 Nov 2006 |
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Thought-provoking and poignant The ironic drawl of Jonathon Richmond of 'The Modern Lovers' reverberates from the speakers: "Pablo Picasso got called an asshole …" Moments later the actors hijack the stage with the grace of a contemporary dance troupe, bringing the set with them. Blue furniture, mats and building blocks are slowly unwrapped from brown paper – the first of many subtle visual metaphors that infuse the production. [more] |
 reviewed by Kathryn van Beek 23 Nov 2006 |
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groundbreaking and genre-defying In every aspect of the production of iS, there is something beautiful and something unsettling. Depending on your viewpoint this is either a distraction, or proof that iS truly is a work of art. [more] |
 reviewed by Kathryn van Beek 12 Feb 2007 |
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Post 9/11 theatre of cruelty Inside the airless Silo Theatre audience members fold their programmes into fans to fend off the heat, and a quiet drama unfolds. [more] |
 reviewed by Kathryn van Beek 12 Nov 2011 |
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Double Feature A ‘Graduation Plays: plays from around the world’ showcases the talents of this year’s graduating students from Unitec’s School of Performing and Screen Arts in two double-features performed on alternating nights. [more] |
 reviewed by Kathryn van Beek 25 Jul 2012 |
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Deftly written bad idea engagingly performed Inviting Caroline begins with the ending (and ends with a new beginning, but we’ll get on to that later). Lights come up on a scene of chaos: three couples clinched together in furious rather than amorous embraces. [more] |
 reviewed by Kathryn van Beek 22 Nov 2012 |
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Jolly good Christmas romp could be more If you’ve been dreading Christmas with your family this show will reassure you that at least your holiday season is unlikely to be marred by aliens, murder, sexual pottery and hankies in the food. [more] |
 reviewed by Mary Anne Bourke 3 Dec 2006 |
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Entertainment value off the charts Call me a raver, but I do not expect to see a more enjoyable production of Hamlet as long as I live. Okay, Simon Vincent plays Hamlet, and it’s hard to think of a more perfect casting, but this Hamlet exceeds expectations. With a performance of extraordinary verve and intelligence, Vincent turns Hamlet inside out and shows us what he, both prince and player, can be. [more] |
 reviewed by Mary Anne Bourke 3 Dec 2006 |
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Never a dull moment This is a comedy about wind-farming. No, it’s nothing do with the Fart Tax. But it’s all eco-politics, isn’t it? [more] |
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