 AN ALTERNATIVE VERSION OF YOUR OWN LIFE at BATS reviewed by Lyne Pringle 17 Sep 2007 |
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Promise, inventiveness, craft and commitment not always enough The programme notes for this evening of dance are very fulsome and promise much. Virginia Kennard present two works. Order within Disorder is based on mathematical theory. The choreographer states very clearly her intentions about the activities of the dancers in the space and their progressions towards and investigation of ‘three chaotic sets’ ... [more] |
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AN ALTERNATIVE VERSION OF YOUR OWN LIFE at BATS reviewed by Shruti Navathe (The Lumiere Reader) 11 Sep 2007 |
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Impressive treatment of interesting ideas I attended the opening night of An Alternative Version of Your Own Life at BATS armed with the knowledge the performance I was about to see was the product of the imaginations of two women: a mathematician and a fitness instructor. A random collaboration? [more] |
 reviewed by Felicity Molloy 15 Oct 2012 |
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A boundless passion for ballet Sir Jon Trimmer is arguably one of the most outstanding male ballet dancers New Zealand has ever produced. He has danced with several of the world’s greats, and in a breath of informal demonstration, moves gorgeously still, with an élan evolved out of years and years of practice and performance perfection. A range of his photos, set as a backdrop against entertaining anecdotes of performance dramas show him as technically extraordinary. [more] |
 reviewed by Kathryn van Beek 22 Nov 2012 |
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Jolly good Christmas romp could be more If you’ve been dreading Christmas with your family this show will reassure you that at least your holiday season is unlikely to be marred by aliens, murder, sexual pottery and hankies in the food. [more] |
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reviewed by James Wenley 23 Nov 2012 |
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The title tells you all The ‘awkward’ brand of humour is one well known to audiences. Popularised in modern times by the Ricky Gervais School of comedy, it employs cringe, painful pauses, and a whiff of nastiness to sell its humour. Thomas Sainsbury has long done his own successful spin on the genre, and is a great match working for the first time with the Outfit Theatre Company with Director Benjamin Henson for their annual Christmas show. [more] |
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AN ELEPHANT NEVER FORGETS at Wellington Zoo Elephant House reviewed by John Smythe 25 Feb 2007 |
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Note to play: listen to yourself … Commissioned as part of Wellington Zoo’s 100th birthday celebrations, Janie Walker’s An Elephant Never Forgets – directed by Charlie Bleakley – is part whimsy, part theatre-in-education. [more] |
 reviewed by Gail Tresidder 23 Mar 2013 |
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A pot-pourri of experiences and insights In a loud voice, interspersed with swear words that seem completely fatuous as he acts out stories of his life, this clever man spends the first half of his show hectoring his listeners, or at least that is how it feels. This is a shame as some of the audience leave within the first ten minutes, many more at the interval, and consequently they miss the best part: a softer different Joe Bennett. [more] |
 reviewed by Megan Smith 23 Jan 2012 |
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Utterly delectable! Filled with detail, intricacy and beautifully directed, the evening flowed seamlessly. A far cry from the usual format, that can often feel, well, foreseeable. By contrast we were seduced with a selection of well-paced and well-timed unpredictability. Did we expect the sailor with his back to us, slowly stripping away his crisp white navy uniform revealing his tanned muscular back, to turn out to be a hot blonde? Most certainly not. Could we have anticipated the hypnotic stage presence of the only male in the show, Arian Levanael, to be a mastery of hoop and silks, so effortless, so accomplished and well, so damn sexy in leather and then in sequins? Possible only in our dreams… [more] |
 reviewed by John Smythe 2 Jul 2011 |
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Profoundly entertaining I confess to feeling trepidation at the premise of this show: two performers only one of whom has rehearsed; the other is different every night yet plays a crucial role. Is it just a gimmick? Has live theatre become so desperate that a good story well produced is not enough? [more] |
 AN UNFORTUNATE WILLINGNESS TO AGREE at The Basement reviewed by Raewyn Whyte (NZ Herald) 22 Feb 2013 |
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Dance in Week 1, Auckland Fringe Festival The nature of friendship is also at the heart of Salted Singlet's hour-long work An Unfortunate Willingness to Agree, set against a backdrop of the everyday complicity which lets us suspend our connections to matters of earth-shattering significance on a world scale, and our choices to let sleeping dogs lie when it comes to our closest relationships. [more] |
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