 reviewed by John Smythe 14 Oct 2010 |
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Sally’s flight from life supports Life Flight The intimacy of The Garden Club, with its bar up the back, suits the cabaret setting very well, avoiding the ‘big stage musical’ feel and harnessing, instead, the sense of a tawdry little dive in a Berlin side street as, in 1930, that city descends into the darkness brought by the rise of the Nazi Party. [more] |
 TE RADAR’S EATING THE DOG at Burns Hall reviewed by Ben Blakely 14 Oct 2010 |
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History made exciting, hilarious and inspiring Sometimes it seems that with such a small history, New Zealand doesn’t have much to offer the historical record but Te Radar certainly proved this school of thought wrong. We need not look overseas for stars in history, we have our very own. [more] |
 PESO MEDIO at Kings & Queens, Performing Arts Centre reviewed by Alexandra Kolb 14 Oct 2010 |
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Palpable eroticism and admirable stamina It has always proven a challenge to translate the tango, which as a popular dance of embrace was born in Buenos Aires and Montevideo between 1860 and 1890, into choreographic images showcased on stage. One of the tricky aspects is the need to convert a face-to-face positioning between the partners into more audience-friendly formations ... [more] |
 HEAT at Settlers Festival Theatre reviewed by Sharon Matthews 14 Oct 2010 |
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Provocative and moving Now is the winter of our artistic isolation, made glorious summer by this Otago Festival, as we finally experience those productions that we (I) have read about from afar! (sorry, William). [more] |
 BACK OF THE BUS at Regent Theatre Foyer reviewed by Kasey Dewar 13 Oct 2010 |
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Innovative choreography, high energy dance and emotional connection Three main characters played by Sacha Copland, Rosanne Christine and Natalie Hona take turns to portray their individual stories throughout the bus journey and at specially selected locations. Each character is perhaps an over-exaggerated version of the everyday bus passenger ... [more] |
 reviewed by Lillian Richards 13 Oct 2010 |
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Lost, adrift and unsure Human animals; we’re a strange breed. So overly complicated that even we, the most dynamic and intelligent organisms on our planet, cannot figure ourselves out. [more] |
 reviewed by Sharon Talbot 13 Oct 2010 |
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NZ Opera take note: New stars rising at NZSM Two vulnerable women trapped in a haunted, incest-poisoned house sounds like the plot for a horror movie. But Benjamin Britten’s opera The Turn of the Screw can out-spook Hollywood when done well. [more] |
 reviewed by Helen Watson White 13 Oct 2010 |
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The more powerful for being unforced Italian composer Claudio Monteverdi’s 1607 opera of the classical myth of Orpheus and Eurydice was a notable first, in a climate of innovation crystallised in the term ‘New Music’. In an exciting new development, chord progressions were replacing the contrapuntal weaving of musical lines familiar in the great church masses of composers like Palestrina. [more] |
 ONE DAY [2010] at St Paul’s Cathedral Crypt reviewed by Sharon Matthews 12 Oct 2010 |
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Chance encounters in uniquely Dunedin settings RBS Productions is a Dunedin based theatre company that specialises in the production and development of devised theatre. One Day, directed by Richard Huber and featuring Barbara Power and Simon O’Connor, comprises two separate pieces, both exploring the idea of chance encounters between strangers. [more] |
 Y CHROMOZONE at TAPAC Theatre, Western Springs reviewed by Sue Cheesman 12 Oct 2010 |
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Definitely a winner Y CHROMOSOME packed a punch with its vitality, variety and powerful male performances, closing the two week tempo dance season at TAPAC on a real high. It is inspiring to see young men at the beginning of dance careers share the stage with very seasoned performers. [more] |
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