 reviewed by Michael Wray 30 Jan 2007 |
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Entertaining and moving with subtly delivered denouement In a swift graduation, His Mother’s Son has moved from being a part of the Adam Play Reading Series to a professional debut at Bats in just seven months. This is not a rushed promotion; this play deserves its opportunity to be presented professionally. [more] |
 reviewed by Michael Wray 7 Feb 2007 |
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Verbal sparring echoes the dance What do you do when your relationship has reached the twenty year mark, your children have all left home and the spark has gone? That is the challenge for Jonathan and Holly. [more] |
 reviewed by Michael Wray 13 Feb 2007 |
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Timeless rites of passage From the people that brought us Mum’s Choir comes the newly renamed Flagons and Foxtrots. Where Mum’s Choir offered us a situation in which the music was the lead, here we have a compelling storyline first, with great music in support. It’s a winning combination and a rocking night out. [more] |
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AS YOU LIKE IT at Botanical Gardens: The Dell reviewed by Michael Wray 14 Feb 2007 |
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Nice light Shakers The 2007 Summer Shakespeare season brings us a suitably appropriately seasonal comedy in As You Like It. [more] |
 reviewed by Michael Wray 16 Feb 2007 |
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Enthralling performances The promotional blurb claims that Dying City is about "the scars of war, the politics of interventionism, and the close alignment between heartlessness and compassion." The war is inevitably present given that one character has been killed in Iraq in "what may - or may not - have been an accident", but the play is about relationships. Heartlessness and compassion are integral to that as they pose the question, just how well do you ever truly know someone. [more] |
 reviewed by Michael Wray 24 Feb 2008 |
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Fascinating conflict Gryphon Theatre hosts the World Premiere of the new play from Danny Eastman, who takes the opportunity to direct his own work. Whether the play takes its inspiration from a specific real event is unclear, but it examines an interesting question. What would happen if you found out your identity was not your own? [more] |
 reviewed by Michael Wray 22 Aug 2009 |
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Packs emotional luggage in with the comedy Four Flat Whites pits together two couples, who couldn’t differ in many more ways. In one corner we have intellectual, Labour-voting, budget-conscious, ex-university librarians with sensible clothes and sandals - Adrian and Alison. In the opposing corner sit plain-speaking, wealthy, National-voting, retired plumber Harry and his sensual wife Judy. [more] |
 reviewed by Michael Wray 6 Sep 2009 |
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Timeless sexual politics Strindberg’s Creditors is a tense triangular play that explores the darker side of marital relationships: possession, jealousy, loss and ultimately, revenge. Comprising three characters and three acts, each act presents a different corner of the triangle and pairing of the protagonists. [more] |
 reviewed by Michael Wray 8 Sep 2009 |
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Heat One Wrap-up Six months after winning the Best of Fringe Award 2009, Two Day Plays is back with people power. Two teams progress to the Grand Final from each of the three heats and the judges’ burden has been eased by a power-sharing agreement that sees the audience vote through one team. [more] |
 reviewed by Michael Wray 18 Nov 2009 |
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Utu drives this Macbeth-like drama Kirk Torrance’s Flintlock Musket combines Shakespearean themes with the early colonial tensions of Maori New Zealand. This is not a simple re-setting of a text, such as the 2007 Downstage production of Othello placed within the Maori land wars, but an original work that displays significant Shakespearean influences. The most notable point of influence, as Torrance indicates in his programme notes, is Macbeth. [more] |
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