 reviewed by John Smythe 16 Aug 2010 |
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Dire Can this really be the same play Peter Hawes called “one of the great existential plays”, and John Ross called “a prodigiously clever black comedy, with moments of farce”, when they reviewed Centrepoint Theatre’s 2008 production ...? [more] |
 reviewed by Laurie Atkinson (The Dominion Post) 16 Aug 2010 |
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The truth? It all depends how you look at it Since its inception in 2000 SEEyD has devised seven invigorating and exciting pieces of theatre. With their latest offering, The December Brother, SEEyD has set itself the challenge of performing three thematically linked short plays, two of which are based on true events, while the third is fictional but with loud echoes reverberating from the first two. [more] |
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reviewed by John Smythe 16 Aug 2010 |
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A richly layered work of extraordinary substance Tim Spite is a true theatre artist. He draws inspiration from what in his own life, family, community, country and world prods his inquisitiveness, concerns and passions, then he forms development and production units to create plays that could not happen any other way. [more] |
 reviewed by Terry MacTavish 15 Aug 2010 |
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Slapstick, philosophy and satire in Cloud Cuckoo Land The feeble and querulous mortals who have apparently just died at the opening of All’s Well That Ends are two of ancient Greece’s most famous citizens, philosopher Socrates, and playwright Aristophanes himself. They do not seem daunted by finding themselves deceased, but set about working out just where they have awoken ... [more] |
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reviewed by Barbara Frame (Otago Daily Times) 13 Aug 2010 |
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Age-old questions not done to death Aristophanes can’t work it out. “What happened to the gods? Where are the fields of Elysium?” Socrates doesn’t know either and the Socratic method is no help. “Is that all there is?” he wonders. [more] |
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THE CONTINENTAL MONOLOGUES at Te Karanga Gallery reviewed by Nik Smythe 12 Aug 2010 |
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Cosmopolitan occupations The Continental Monologues is the latest showcase in what’s become a bi-monthly event helmed by Tom Sainsbury, not only Auckland’s most prolific writer but now also the humbly self-appointed mentor for newcomers to the art of scriptwriting. [more] |
 reviewed by Kate Ward-Smythe 12 Aug 2010 |
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The campest Grease ever Like any good trip down the Grease memory lane, this production is fun, energetic, colourful and while the song order is different, overall it never strays too far from the famous film version that so many remember so well. [more] |
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reviewed by Deb Meldrum 12 Aug 2010 |
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More humour to be extracted? This play is by the Canadian playwright Morris Panych and was first performed in America and Canada in 2002 with the name Vigil. The British, when they put it on in the West End, changed the name to Auntie & Me. I must admit I prefer the name Vigil as it doesn’t have the connotations of being a giggle a minute British seaside comedy ... [more] |
 reviewed by Lynn Freeman (Capital Times) 11 Aug 2010 |
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Tech addicts What’s refreshing about this story for young people that’s full of Facebook and on-line gaming and pop culture references, is that the storytelling techniques are beautifully low-tech. A swamp is created by two people manipulating a large sheet and Nathan McKendry’s clever lighting ... [more] |
 reviewed by Lynn Freeman (Capital Times) 11 Aug 2010 |
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Song’s praises sung You can see playwright Jez Butterworth’s reverence for Pinter in the fractured dialogue and oddness of the story. [more] |
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