![]() reviewed by Sian Robertson 10 Jul 2009 |
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An authentic swashbuckling adventure A noisy, rascally pantomime, this production covers all the mandatory panto traditions (song, dance, cross-dressing, subtle sexual innuendo for the mums and dads, modern political/pop-culture commentary, animal costumes, audience involvement) ... [more] |
![]() reviewed by Sian Robertson 27 Jul 2009 |
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Tulips, vomit and insults fly Two couples meet to discuss a scrap between their two sons, which resulted in some broken teeth. Middle-class bohemians Veronique and Michel Vallon have invited Alain (a lawyer) and Annette Reilles (in ‘wealth management’) to their home to try and resolve the issue in an enlightened manner. Cracks soon start to show ... [more] |
![]() reviewed by Sian Robertson 12 Aug 2009 |
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Interesting scenario lacks chemistry Dinner Party Money is a callous study of people using each other for their own social and material ends. Winnie (Helen Burns) is a wealthy middle-aged patron of young, struggling (mostly gay male) artists. She invites a poet, a fashion designer and a painter to dinner, and tries to play them off against each other. [more] |
![]() reviewed by Sian Robertson 29 Sep 2009 |
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Two thumbs up for embellished traditional story This production of Jack and the Beanstalk is a silly, vibrant, larger-than-life fairytale romp ... Jack’s main preoccupation is telling jokes, in fact his greatest aspiration is to be funny. He tells jokes frequently throughout the show – awful, predictable jokes, most of which delight the children. [more] |
![]() reviewed by Sian Robertson 22 Feb 2010 |
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Collectively offensive, laugh-out loud funny, voyeuristically embarrassing and sometimes uncomfortably intimate A series of ten-minute monologues, on the theme of awkwardness, showcases the work of seven mostly-new writers. For some it’s their theatre-writing debut. Many of them have a background in other writing fields, such as journalism or film. [more] |
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reviewed by Sian Robertson 26 May 2010 |
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Bitterly, laugh-out-loud funny The format is the same as for The Awkward Monologues, which showed at Te Karanga Gallery in February this year: seven ten-minute pieces by seven different writers, played by seven actors. These monologues are an evolutionary step in a very good direction. [more] |
![]() reviewed by Sian Robertson 6 Jun 2010 |
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Vividly interpreted commentary on the grimness of life in Victorian London My expectations of Peach Theatre Company’s production of Stephen Sondheim’s acclaimed musical thriller were based on having seen the Tim Burton film, which I didn’t like. What it lacked that this production has, is a Sweeney Todd you can sympathise with. [more] |
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reviewed by Sian Robertson 9 Jun 2010 |
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Gritty and witty psychological roller coaster The Wine Cellar, with its scruffy intimacy and comfy couches, is the perfect venue for a play that takes place entirely in a trashed hostel room. We get up close and personal with three high school friends as events bring them together into a fraught and joyless reunion ten years on. [more] |
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reviewed by Sian Robertson 24 Jul 2010 |
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Wincingly funny portrayal of blatant self-interest and petty-mindedness Talk is a sadistically smooth satire of the interwoven lives of nine characters and they way they communicate ... Talk is the theme of the play – how words shape the world and the interactions that make up our lives. [more] |
![]() reviewed by Sian Robertson 26 Sep 2010 |
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Ennui and bitterness with brilliant linguistic moments Thom Pain walks onto the stage and tries, unsuccessfully, to light a cigarette in the dark. He reads us something – in the dark. He discusses our collective human plight and whether the lights are likely to come on. He talks to us as though we’re in a therapy session. At times he’s mundane, at times profound ... [more] |
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