 THE MAN WHO PLANTED TREES at Downstage Theatre reviewed by John Smythe 12 Mar 2013 |
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Abuzz with creative life-force The Man Who Planted Trees is presented in a wonderfully relaxed yet whimsical style and tone. Pitched, according to the Capital E National Arts Festival brochure, at 7-14 year olds, this is a story, play and production that respects its audience and doesn’t play down to them. [more] |
 GIZZA HOON at BATS - Out Of Site - Cnr Cuba & Dixon reviewed by Ann Hunt (The Dominion Post) 12 Mar 2013 |
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A night out with the YouTube generation Inspired by the YouTube generation and late-night Courtenay Place antics they explore the relationship between commercial pop and young Kiwis' social interaction. It's funny, frenetic and in your face. [more] |
 THE MAN THE SEA SAW at Opera House reviewed by John Smythe 12 Mar 2013 |
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Clowning by numbers We do get to witness performance talent and ‘production value’ spectacle. He conjures a bit, verges on acrobatic balancing, juggles very well … His unacknowledged puppet assistant animates a Polar Bear’s paw and later a head with a tongue that really licks, and a Seal that seems destined for an important role but it comes to nothing. The big berg centre stage rocks like a see saw. [more] |
 MADE TO MOVE - THE ROYAL NZ BALLET at ASB Theatre, Aotea Centre reviewed by Bernadette Rae (NZ Herald) 11 Mar 2013 |
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Triple bill goes from delicacy to rousing polka There the obvious references to traditional Pacifika and its dance forms ends, replaced by an assault of charged, percussive, angular and athletic movement which is both firmly rooted and upwardly explosive with lifts and propulsions, particularly of the women by the men. And brilliantly, breathtakingly performed. [more] |
 HOU 2013 - ATAMIRA DANCE COMPANY at Corban Estate Arts Centre, Henderson reviewed by Raewyn Whyte (NZ Herald) 11 Mar 2013 |
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Adrenalin saturates dance mix The highlight of Atamira Dance Company's annual choreographic development season, HOU for 2013 is an adrenalin-saturated, crowd-pleasing dance by choreographer Nancy Wijohn which looks destined to become much-performed. [more] |
 LIKE IT OR LOOP IT at Paramount reviewed by Moana Ete 11 Mar 2013 |
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Dancing with doo-dackies In the age of loop pedals and songs arranged entirely in a capella, Adam Page, multi-instrumentalist extraordinaire, is a living Forefather to this mind-boggling musical form. Adam brings to the Capital E National Children’s Theatre Festival a story about his unique learning journey and his lifelong love for music. [more] |
 TE RAU O TE RANGI at Te Papa Tongarewa, Te Marae, Cable Street reviewed by Moana Ete 11 Mar 2013 |
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The love, the hardship, the journey It’s an important thing, I feel, to be powhiri’d onto a theatre space. I so often tumble into a show as if by moving train – I forget to look forward to what I’m about to see. To wait at the entrance with 150 or so children to be welcomed onto the Marae is an opportunity for me to prepare myself physically and spiritually for what I am about to experience. [more] |
 TAKE BACK THE HOOD at Fringe Bar, Cnr Cuba & Vivian reviewed by Lori Leigh 11 Mar 2013 |
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Comedy conveys serious content of discontent Underneath the simplistic moral of Little Red Riding Hood’s “don’t talk to strangers” is a cautionary tale about the dangers of seduction. Implicit in such ethics is the assumption that the correction of the crime lies within the victim rather than the perpetrator. Thank you fairy tale morality for unconsciously defining the way we see the world from a very early age. [more] |
 reviewed by Richard Mays 11 Mar 2013 |
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Vital, intelligent, fluent, funny, gutsy, hard-hitting and impressively realised Manawa is a dramatic Kiwi Howl to rival Greg McGee’s Foreskin’s Lament. Significantly, the powerful out-of-left-field climax and its bruising final line come not from a mainstream or educated voice, but from a member of the marginalised underclass. [more] |
 THE BALLAD OF PONDLIFE MCGURK at Bruce Mason Centre reviewed by Lexie Matheson 10 Mar 2013 |
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An unforgettable journey The Ballad of Pondlife McGurk is the sort of name you’d like to have made up, too. It has an air of something schoolyardy about it; something a bit smelly, a bit confrontational; something us oldies might consider a bit Richmal Crompton. [more] |
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