 reviewed by Lindsay Clark 10 Apr 2010 |
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Zippy yet relaxed However many versions of this time-tested rags to royalty tale have entranced listeners and viewers over the centuries, there is always room for one more. The Court Jesters improvisers are a small team to tackle an on the spot rewrite, all the way from Brothers Grimm to final clinch, but they are enthusiastically supported by switched-on kinder, ready with challenging suggestions. [more] |
 reviewed by Hannah Smith 10 Apr 2010 |
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Looks and feels like an iMac It is pitched at people who can say wryly to one another “Kids. They change everything. How did we (you and me), get to be us (this family)?” I am not those people. Yet. [more] |
 reviewed by Pei Jung Lee 10 Apr 2010 |
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A marvellously produced spectacular The dance is based on a very famous Chinese literary novel by Tsao Hsueh-Chin with complex families, characters and issues. Choreographer Zhao Ming focuses on the Rong Palace of Family Jia and divides the play into four acts. [more] |
 reviewed by Michael Wray 10 Apr 2010 |
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Harmonious rendition of tensions Based on Puccini’s Madame Butterfly, Miss Saigon premiered 21 years ago. It’s easy to see the reasons for the show’s longevity and appeal. [more] |
 reviewed by Laurie Atkinson 10 Apr 2010 |
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Playful theatrical sonnet portrays ageing love story The title of Edward Albee’s rarely performed play Counting the Ways refers to Elizabeth Barrett Browning’s most famous sonnet in her Sonnets from the Portuguese. (“How do I love thee? Let me count the ways.”) [more] |
 reviewed by Hannah Smith 9 Apr 2010 |
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Moving transition My Name Is Rachel Corrie made me feel white, middle class and guilty. Which I pretty much think is great. It makes a bid to be political, in the obvious and unsubtle fashion of youth, and in these terms it succeeds. I had a little cry. [more] |
 reviewed by Catherine Campbell 9 Apr 2010 |
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The name – The Power of Love – is suggestive of some kind of gloomy treatise on modern relationships; a passionate love affair with undertones of physical abuse and manipulation. After all it is the title of a Celine Dion song ... So I was completely surprised to find myself watching a witty sci-fi thriller with more plot twists than a Dan Brown novel. [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 9 Apr 2010 |
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Blockbuster a bit hit and miss After successfully staging Les Miserables a few years ago Wellington Musical Theatre has triumphed with the staging of another multi-million-dollar-blockbusting-award-winning-mega-hit-sung-through pop opera. [more] |
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reviewed by Maryanne Cathro 8 Apr 2010 |
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Engaging, moving, provoking, satisfying I love Edward Albee’s plays: the bitter sweet toying with words as if they were alternately or randomly even; chocolates and razor blades. He is as essentially American as Truman Capote or John Updike, all bringing an irrepressible sense of storytelling to their work. [more] |
 reviewed by Janet McAllister (New Zealand Herald) 8 Apr 2010 |
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Political animals Theatre and contemporary politics don’t usually mix in Auckland. But this warm and committed Wellington production demonstrates with gusto why they should be seen together more often in polite society. [more] |
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