 reviewed by John Smythe 25 Jan 2012 |
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Powerful and humane yet often humorous Nothing beats ‘truth’ when it comes to good theatre. There are many ways of seeking it out and sharing it, and the Bare Hunt Collective’s ‘documentary/verbatim’ genre is an extremely compelling and effective one. [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 26 Jan 2012 |
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A time for reflection The image used to promote Munted, a new piece of documentary theatre about the Christchurch earthquakes, is a cracked cup and saucer. On it is a picture of the Cathedral and the Chalice. [more] |
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reviewed by Lynn Freeman (Capital Times) 1 Feb 2012 |
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Stories of Christchurch Here’s a night out at the theatre for anyone who’s ever questioned the relevance of live performance. Bare Hunt Collective has interviewed a range ofChristchurchpeople about their experience of the earthquakes. [more] |
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reviewed by Stephen Austin 5 Dec 2012 |
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Given fresh, engaging life and vigour With the Christchurch quakes still fresh in our minds and the cleanup still very much in progress, it should be a difficult job of theatre to add something valid without over-dramatising or sentimentalising situations. There is so much deep feeling, even for those on the outer of this greatest of natural disasters in this country, that we all need some form of catharsis to help us process it. [more] |
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reviewed by Lindsay Clark 20 Jun 2012 |
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The familiar refreshed It is a curious feeling, experiencing a documentary piece of theatre from the inside. Bare Hunt's audience in Christchurch will be a heartbeat closer than most to their verbatim representation, based on interviews held only a few weeks after the city's tragic earthquake in February 2011. [more] |
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reviewed by Robert Gilbert 21 Jun 2012 |
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A uniquely pure theatre experience I was confronted with quite a bit of anxiety in the days, hours, and minutes leading up to the opening of this production, stemming from the realisation that I just might have to re-visit feelings and emotions that I had neatly tucked away in an attempt to function in post-quake Christchurch. Am I ready for this? Is Christchurch ready? [more] |
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reviewed by Matt Baker (Theatre Scenes - Auckland Theatre Blog) 5 Dec 2012 |
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Solid From Liz Carpenter and Alana Kelly’s poster design to the un-credited set design in performance, the teacup motif in Munted is both an accurate and elegant metaphor for the fragility and communal aspects of life surrounding the February earthquake. It is also brilliantly used in breaking the fourth wall the moment the audience enters the performance space ... [more] |
 reviewed by John Smythe 27 Jan 2007 |
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Too much of a good thing Once more a welter of words is the weapon choice for this new Flaxworks production: a relentless flow of dense, rich comedy, more bitter than sweet, that proves how more can be less entertaining. [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 29 Jan 2007 |
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After Dinner Mint theatre Like Birdboot, the theatre critic in Stoppard’s The Real Inspector Hound (a spoof of Christie murder mysteries), I wish I had had a box of Black Magic to get me through the endless chatter of Murder by Chocolate ... [more] |
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reviewed by Lynn Freeman (Capital Times) 31 Jan 2007 |
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A little long Murder mysteries are made for sending up and that’s exactly what Murder by Chocolate sets out to do. The list of suspects dwindles as the body count rises. A chocoholic romantic author seeking a change of genre finds fact and fiction melting together like two bars of chocolate left in the sun. [more] |
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