![]() reviewed by Lynn Freeman (Capital Times) 4 Apr 2012 |
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Skeleton without structure I heard about a production of Romeo and Juliet played in reverse, so you start with the death scene and end up with these two young lovers meeting, Apparently it’s even more devastating seeing it that way, reminding you how much they loved each other and how much was lost. [more] |
![]() reviewed by Lynn Freeman (Capital Times) 18 Apr 2012 |
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Dream media roles This previous 2009 Bats STAB commissioned satire that turns the tables on the media, has been updated for 2012 and it’s striking how technology has surged ahead in just a few years. Smartphone users even get to contribute to the production during the pre play set up in the bar. [more] |
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reviewed by Lynn Freeman (Capital Times) 18 Apr 2012 |
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Expected more The perils of living your life online are examined in this play that’s both written and performed by Alex Lodge and Cherie Jacobson. [more] |
![]() reviewed by Lynn Freeman (Capital Times) 18 Apr 2012 |
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Good chemistry There were ‘ahs’ from the audience numerous times through this Roger Hall comedy-love story. That’s not just because Hall knows his audience extremely well and the right buttons to push. The leads Peter Hayden and Elena Stejko transform what could be an enjoyable night at the theatre, into something special. [more] |
![]() reviewed by Lynn Freeman (Capital Times) 6 Jun 2012 |
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Career best performances Arthur Miller’s story resonates with a 2012 audience in ways he could never have imagined. All My Sons was written in 1947 in the shadow of World War II but the play’s dissection of corporate greed and dishonesty got me thinking about the reasons behind the current global recession. It is a masterful and insightful work that is one of the year’s must-sees. [more] |
![]() reviewed by Lynn Freeman (Capital Times) 12 Jul 2012 |
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In current language The Young and Hungry season always offers some insights into the pre-occupations of teenagers. From the current language – tots – to issues like cyber bullying, body image, social networking, and the gulf between the cool kids and the outsiders. This year’s crop of three plays written for young actors and back of house practitioners is up there with the best years of this now long running season. [more] |
![]() reviewed by Lynn Freeman (Capital Times) 8 Aug 2012 |
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Theatrical event The real life experiences of British artist Barbara Tate when she became the maid of the Queen of Soho in post war London, made for a best selling book which Ken Duncum has adapted for the stage, and David O’Donnell has crafted into a theatrical event. [more] |
![]() reviewed by Lynn Freeman (Capital Times) 22 Aug 2012 |
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Pure Magic Skellig, based on the children’s novel of the same name, has been adapted for the stage by its author, David Almond. In his hands and those of director Tabitha Arthur and her wonderful young cast, it also feels as at home on stage as it does on the page. [more] |
![]() reviewed by Lynn Freeman (Capital Times) 29 Aug 2012 |
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Reality confronted One Day Moko lingers in the memory. So much so that you find yourself wondering what happened to the homeless Moko before we meet him, and what happens after he leaves us? [more] |
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reviewed by Lynn Freeman (Capital Times) 29 Aug 2012 |
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Ticks all the boxes A Jim Moriarty directed production is like no other. Large casts of young actors who don’t need formal institutional training to give unforgettable performances. They just need Moriarty’s guidance and direction and scripts full of historical fact, spiritual presence and boundless imagination. [more] |
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