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THESE ARE THE SKELETONS OF US at BATS
reviewed by Lynn Freeman (Capital Times) 4 Apr 2012
Skeleton without structure
I heard about a production of Romeo and Juliet played in reverse, so you start with the death scene and end up with these two young lovers meeting, Apparently it’s even more devastating seeing it that way, reminding you how much they loved each other and how much was lost. [more]

LIVE AT SIX at Downstage Theatre
reviewed by Lynn Freeman (Capital Times) 18 Apr 2012
Dream media roles
This previous 2009 Bats STAB commissioned satire that turns the tables on the media, has been updated for 2012 and it’s striking how technology has surged ahead in just a few years. Smartphone users even get to contribute to the production during the pre play set up in the bar. [more]

NUCKING FUTS at BATS
reviewed by Lynn Freeman (Capital Times) 18 Apr 2012
Expected more
The perils of living your life online are examined in this play that’s both written and performed by Alex Lodge and Cherie Jacobson. [more]

Photo: Stephen A'Court
A SHORTCUT TO HAPPINESS at Circa One
reviewed by Lynn Freeman (Capital Times) 18 Apr 2012
Good chemistry
There were ‘ahs’ from the audience numerous times through this Roger Hall comedy-love story. That’s not just because Hall knows his audience extremely well and the right buttons to push. The leads Peter Hayden and Elena Stejko transform what could be an enjoyable night at the theatre, into something special. [more]

Photo: Stephen A'Court
ALL MY SONS at Circa One
reviewed by Lynn Freeman (Capital Times) 6 Jun 2012
Career best performances
Arthur Miller’s story resonates with a 2012 audience in ways he could never have imagined. All My Sons was written in 1947 in the shadow of World War II but the play’s dissection of corporate greed and dishonesty got me thinking about the reasons behind the current global recession. It is a masterful and insightful work that is one of the year’s must-sees. [more]

YOUNG & HUNGRY 2012 at BATS
reviewed by Lynn Freeman (Capital Times) 12 Jul 2012
In current language
The Young and Hungry season always offers some insights into the pre-occupations of teenagers. From the current language – tots – to issues like cyber bullying, body image, social networking, and the gulf between the cool kids and the outsiders. This year’s crop of three plays written for young actors and back of house practitioners is up there with the best years of this now long running season. [more]

WEST END GIRLS at Circa One
reviewed by Lynn Freeman (Capital Times) 8 Aug 2012
Theatrical event
The real life experiences of British artist Barbara Tate when she became the maid of the Queen of Soho in post war London, made for a best selling book which Ken Duncum has adapted for the stage, and David O’Donnell has crafted into a theatrical event. [more]

SKELLIG at BATS
reviewed by Lynn Freeman (Capital Times) 22 Aug 2012
Pure Magic
Skellig, based on the children’s novel of the same name, has been adapted for the stage by its author, David Almond. In his hands and those of director Tabitha Arthur and her wonderful young cast, it also feels as at home on stage as it does on the page. [more]

ONE DAY MOKO at BATS
reviewed by Lynn Freeman (Capital Times) 29 Aug 2012
Reality confronted
One Day Moko lingers in the memory. So much so that you find yourself wondering what happened to the homeless Moko before we meet him, and what happens after he leaves us? [more]

DOG & BONE at Whitireia Performance Centre, 25-27 Vivian Street
reviewed by Lynn Freeman (Capital Times) 29 Aug 2012
Ticks all the boxes
A Jim Moriarty directed production is like no other. Large casts of young actors who don’t need formal institutional training to give unforgettable performances. They just need Moriarty’s guidance and direction and scripts full of historical fact, spiritual presence and boundless imagination. [more]
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