![]() reviewed by Ann Hunt 12 Jun 2010 |
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Feral grace amid dated choreography [The Pieter Symonds / Michael Braun pairing.] Carmen was first performed by the Royal New Zealand Ballet in 2002. This time around the company have got it right by casting Pieter Symonds and Michael Braun in the leading roles as Carmen and José. Their partnership works surprisingly well ... [more] |
![]() reviewed by Ann Hunt (The Dominion Post) 9 Jul 2010 |
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Spirited ice show enchants crowd The young child next to me sat entranced on the edge of her seat and whispered: “It’s so beautiful!” And it was. This enchanting production captures all the magic of the original ballet and adds theatrical punch and psychological depth. There are changes to the scenario, which work well in this context. [more] |
![]() reviewed by Ann Hunt (The Dominion Post) 28 Feb 2013 |
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Triple treat for 60th anniversary The company, in outstanding form, deliver a night of spirited dancing in entertaining, thought provoking and beautiful works. [more] |
![]() reviewed by John Button (The Dominion Post) 12 May 2008 |
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from a low key beginning to a powerful, believable, finale ... This production moves way from the traditional - Paris in the 1830s - and sets it in the present day. In doing this the creative team takes a risk. Many operas benefit from modern settings but, for me, La Boheme is not one of them. It makes it points within an atmosphere of 19th century lighting, and our stylised, even sentimental, idea of Bohemian life in Paris. [more] |
![]() reviewed by John Button (The Dominion Post) 12 May 2009 |
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A dazzling, stellar Isabella Thanks to great casting all bases are covered in this supremely polished, endlessly effervescent, production. [more] |
![]() reviewed by John Button (The Dominion Post) 12 Oct 2009 |
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Delivers on promise of excellence Simply put, this is, surely, the most polished, most evenly cast, production that New Zealand opera has yet given us. [more] |
![]() reviewed by John Button (The Dominion Post) 17 May 2010 |
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Superb staging of Figaro sets new standards for Mozart opera Having missed the last Marriage of Figaro done by New Zealand Opera in 2002 – and the outside performance during the summer in Eastbourne – it is a while since I have experienced a local production of the opera, but I still suspect that this thought-provoking, and stunningly realised production directed by New Zealand Opera’s general director, Aidan Lang, is a benchmark for Mozart opera in New Zealand. [more] |
![]() reviewed by John Button (The Dominion Post) 17 Mar 2011 |
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Sheer skill and enjoyment here This production is the first full staging of a Handel opera in New Zealand, and even given that such ‘authentic’ productions are common in Europe, this is one of the few that uses counter tenors in the roles of both the brothers, Xerxes and Arsamene. [more] |
![]() reviewed by John Button (The Dominion Post) 29 Aug 2011 |
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Much to delight eye and ear For most people, including regular opera fans, the Cav & Pag double bill is more talked about than experienced. Of course, everybody knows snippets from both – the Intermezzo from Cav and ‘Vesti la giubba’ (Put on the motley) from Pag, but very few have experienced a top professional production. [more] |
![]() reviewed by John Button (The Dominion Post) 24 Jul 2012 |
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Standing ovation for NZSO's Wagner No-one in the world of music has polarised opinion as much as Richard Wagner, and no creative endeavour has so transcended the narrow world of music quite like his vast cycle of four music dramas – The Ring of the Nibelung. Yet, here in July 2012 was the first time the most "stand-alone" of the four operas has been performed in New Zealand, albeit in a concert performance. [more] |
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