 reviewed by Patrick Davies 19 Mar 2011 |
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Of shows gone by and things to come In the guise of a ‘seminar’ we are presented with an historical eye’s view of what has made the Otago University’s – the longest and continuously running – Capping Show the success that it is. [more] |
 reviewed by Patrick Davies 5 Apr 2013 |
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Smart, thoughtful and consistently good Opening new-kid-on-the-block Counterpoint’s 2013 season, BOX/ROLE/DREAM is a quietly raging mix of bared souls and subtlety. In BOX, Victor converses with an unseen (and possibly non-existent) cohabiter of a sauna. What starts as a friendly conversation u-turns into a frightening encounter ... [more] |
 reviewed by Uther Dean (Salient) 20 Jul 2009 |
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Demands a season pass There is an unspoken law about the Young and Hungry festival of works. It is this, for as long as I can remember, each season has had a good play, a great play and an unutterably horrible play. Usually in that order. Not this year though. [more] |
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CHRISTIE IN LOVE at Southern Cross Restaurant & Bar reviewed by Uther Dean (Salient) 3 Aug 2009 |
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Refreshing lunch break Christie in Love is the first production by or at One Sharp! Lunch Theatre. Operating out of the Club Room at the Southern Cross, they present a half-hour or so piece of theatre at 1pm every day. The $16/$12 price of admission rather charmingly also includes soup. [more] |
 reviewed by Uther Dean (Salient) 3 Aug 2009 |
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Parading performance tricks These pieces become the performers’ calling cards so there is a propensity for pieces clearly designed around all the tricks the performer has up their sleeve. This often comes at the expense of focus and story. [more] |
 reviewed by Uther Dean (Salient) 20 Jul 2009 |
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Alliterative exploration of alienation In this year's fringe festival there were two things I truly loved above all else, one was Binge Culture's Drowning Bird, Plummeting Fish and the other was the cow costume from Boomerang Lean and the She-Devil from Outer Space. The very fact that Binge Culture's next show Animal Hour contained that same cow costume, should have issued it a free pass. I should be praising it to the sky right now. [more] |
 reviewed by Uther Dean (Salient) 24 Sep 2009 |
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Not pitched or paced for the space Harvester of Sorrow (Jo Randerson) is not happy. She is either a grim reaper or at the very least is paid to portray one. Over the course of Good Night – The End, she mopes around her workplace’s staff room. [more] |
 reviewed by Uther Dean (Salient) 14 Sep 2009 |
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Deeply disappointing ... Only One manages, with lots of effort, to distend that plot out to one hour and twenty minutes and, really, its ability to make it last that long (and feel much longer than that) is the only real thing I can praise about this production [more] |
 reviewed by Uther Dean (Salient) 25 Nov 2009 |
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Profoundly well-made Brilliantly, Meek does not simply dwell on Darwin and evolution to support his play, avoiding the easy downfall of making nothing more than a dry biography all plugged with up with facts and blah. It is also peppered with discussions of wider ideas. It asks questions of authorship and ethics, friendship and control, family and familiarity, faith and fact. It goes much deeper than Darwin, but never distracts from the story that is there to be told. [more] |
 reviewed by Uther Dean (Salient) 27 Nov 2009 |
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A joyous, energetic experiment Trouble is brewing at a certain Fletcher Challenge (they still exist?!) petrol station in Auckand. The company is in financial strife and one of the stations is going to have to close, but manager Cameron (Toby Leach) has a plan or two. [more] |
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