 reviewed by Lexie Matheson 17 Aug 2012 |
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Sweet voyeurism Nøughty Girls is about a couple of girls up to naughty but nice stuff in the nice and naughty noughties. In so doing they expose a little known fact, that apart from the technology and some changes in the language, heterosexuality is pretty much as it always has been. [more] |
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reviewed by Paul Simei-Barton (New Zealand Herald) 20 Aug 2012 |
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Engaging authenticity Sainsbury's devised work, Noughty Girls, offers an up-to-the-minute account of 21st-century romance, with Elizabeth McMenamin and Chelsea McEwan Millar playing a couple of 20-somethings desperately seeking whatever. [more] |
 reviewed by Kasey Dewar 3 Sep 2011 |
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Celebrating the ocean's role in community life Dance and music with watery themes and connections to local history, entertaingly presented with audience participation. Rounds of applause well deserved. [more] |
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OCT - DEC SERIES at Various neighborhood locations reviewed by Val Smith 12 Dec 2011 |
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Understanding Brent's Bundles One thing I love about October and December series is the engagement with inviting and publicity of the events. One email invitation includes an mp3 audio attachment of a short capture of voice; “ok just to aaaaaa, just to come back”. In order to catch what the audio file says I replay it back several times; laughing, as in doing so, I am creating, recreating, an idea of Brent glitching in repetitive loop styles, perhaps dealing with ways of compulsion, self questioning, inadequacy? Perhaps of glitching between spaces of time passing between repetitions. >>?<< A current email invitation lists the end times of episodes as opposed to the start times, introducing ambiguity to beginnings and endings, a common aspect of this work (we wonder are we done yet?) I look forward to seeing how his following of regulars, newcomers, and passers by, deal with this end times invitation. [more] |
 ODDFELLOWS FIRST LAUGHS at Downstage Theatre reviewed by John Smythe 16 May 2006 |
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Pick & choose or be gluttons Why do we have comedy festivals? Isn’t it like having pudding only for every meal? [more] |
 OFFICE BOY at San Francisco Bathhouse, 171 Cuba St reviewed by John Smythe 13 Apr 2008 |
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Two good acts in search of a third It’s a great, if rather impractical idea: seat your audience at computer monitors in a set-up that vaguely resembles an open plan office, then share the contents of the titular Office Boy’s screen as he, Darren Sanders, works through the first hour of a morning from hell at Crenshaw Toilet Seats. [more] |
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OFFICE BOY at The Classic Studio reviewed by James Amos 10 Mar 2009 |
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Charmingly absurd sliver of life This show is basically a 'slice of life' and the life that's 'sliced' is that of Darren Sanders. Darren, delightfully played by Wrigley, works at a toilet seat manufacturing company. He arrives one minute late for work and is preparing to give a big presentation. [more] |
 OH BABY at TAPAC Theatre, Western Springs reviewed by Lexie Matheson 13 Mar 2011 |
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A riotous romp through conception and childbirth Cast with multi-talented wunderkind – they walk, talk, sing, cry, do back flips and dangle from the roof – Oh Baby was always going to be both good and different. It’s a riotous romp through conception and childbirth seen through the lens of an upmarket fertility clinic where the professionals serve each other as much as they seem to serve the outside world. [more] |
 OH! IS FOR OPERA at Galatos reviewed by Glen Pickering 6 Mar 2013 |
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A naughty night at the opera Ever thought the history of opera sounded a bit boring? Would it appeal more if it were told in an irreverent and funny manner, with immodestly dressed attractive young women? The full house at the opening night of Oh! Is for Opera would seem to suggest the answer is a resounding yes! [more] |
 reviewed by Barbara Frame (Otago Daily Times) 27 Jun 2008 |
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A seriously good drama In a room apparently far from anywhere, there are three people: Deeley, his wife, Kate, and Kate’s old friend, Anna. They drink coffee and they talk of old times – times of youthful excitement and poverty in London, of eating sandwiches in Green Park and spending evenings at the theatre or in pubs filled with writers and artists. Their sentences are mostly short and there are many pauses — this is, after all, Pinter. [more] |
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