 reviewed by Paul Simei-Barton (New Zealand Herald) 8 Oct 2009 |
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Unrestricted Aussie comics keep audience’s amusement well in hand I would have liked to say this is not my cup of tea but such a disclaimer probably sounds disingenuous – besides which a cup of tea suggests something far too genteel for a show that is more like a swig of home brewed fire-water. [more] |
 reviewed by Mark James Hamilton with Shayne Panayiotis Comino 8 Oct 2009 |
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Rich and intricate Vivek’s solo presence holds the stage completely. His confidence is radiant and he engages the whole audience. Intimacy in performance has become somewhat of a cliché, but Vivek achieves that very kind of rapport. [more] |
 PERICLES at Studio 77, VUW reviewed by Helen Sims 8 Oct 2009 |
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Oriental theatre traditions bring clarity to convoluted plot The students of the THEA303 course at Victoria University have obviously been very hard at work. Their Asian-theatre “inspired” production of Pericles is an entertaining and thoughtful production that harnesses elements of Chinese and Japanese traditional theatre forms without sacrificing the story. [more] |
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reviewed by Venus Stephens 7 Oct 2009 |
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You’ll laugh your tits off High Priestesses of all things ‘boobilicious’, Emma Powell (creator of Busting Out!) and Bev Killick, are set to flap, swing, squeeze, contort and warble their breasts through their hilarious two hour set of skits, song and shadow play. [more] |
 THE KIDS SHOW at TAPAC Theatre, Western Springs reviewed by Julia Barry 7 Oct 2009 |
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Happy and engaging confirmation that dance is for everyone Warm and snug in the TAPAC theatre, the audience is treated to an exciting mix of highly entertaining dances and short films, including hip hop, ballet, jazz, contemporary dance and ‘Bollywood’ genres. [more] |
 reviewed by Janet McAllister (New Zealand Herald) 7 Oct 2009 |
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Imaginary radio show fun for the whole family Spaceships rumbled, lions roared, fish smacked their lips - and that was just the audience. Onstage were cream pies, water pistols and 101 squeaking, groaning, clicking, splashing, whirring and popping props, each one a surprise hiding in brightly colour boxes. [more] |
 BACK OF THE BUS at Bus Exchange Lounge / Moving Bus reviewed by Helen Moore 6 Oct 2009 |
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Heart-warming site specific mystery tour Familiar bus behaviours of managing bags and tickets, waiting for and securing a seat, and passenger persona are playfully reflected back to us through dance. [more] |
 reviewed by Clare Adams (The Critic (Otago University)) 6 Oct 2009 |
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Glorious, like that woman in that film with Katherine Hepburn ... Yes, I’m starting a review with the recommendation; it should tip you off as to how gushy the following will be, but don’t let me put you off. The Fortune is the stage of only a couple of good productions each year, and this show is one of the really, really good ones. [more] |
 reviewed by Sharon Matthews 6 Oct 2009 |
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Marred by manic performances and uneven production values The seven performers energetically play a multiplicity of wonderfully exaggerated cartoon-like characters. However, with some, flailing physicality and a character voice created through straining and distorting the throat is exhausting to watch. [more] |
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GONG CRAZY at Adam Concert Room, VUW reviewed by Jennifer Shennan 6 Oct 2009 |
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A concert for a life In Asian performance traditions, the arts of mask and dance are intertwined with music to make visual and dramatic impact, so the separation of performance arts we are too familiar with is here reassuringly absent. [more] |
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