 reviewed by Barbara Snook 5 Jun 2008 |
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Deserves large audiences Author David Auburn has successfully provided a glimpse into a different world of mathematics and those sometimes considered nerds in society who are stereotypically destined for back rooms or academic institutions. Proof allows the audience an insight not only into their lives, but provides a journey through a range of human conditions and emotions. [more] |
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reviewed by Anna Chinn (New Zealand Listener) 2 Jun 2008 |
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The Proof is in the seeing Proof is arguably worthy of the Pulitzer Prize it scooped in 2001. It has multiple themes and layers and all that – the “proof” of the title refers to: the physical draft of a major mathematical theorem; the proof of its authorship, which comes into doubt as part of the plot; one woman’s need for proof that having inherited her father’s genius she has not also inherited his insanity; plus her need for her lover to prove he trusts her. [more] |
 PROVIDENCE at Lower NZI, Level 1, Aotea Centre reviewed by Vanessa Byrnes 25 Feb 2012 |
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Waiting for more But after an hour of trying to work out the what, why and who of this piece I am left disappointed, slightly annoyed at unfulfilled promises, and wondering where the theatre of the piece has gone to. I don’t get it, despite wanting to. [more] |
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PRUFROCK’S LOVE SONG at Globe Theatre reviewed by Terry MacTavish 13 Oct 2011 |
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Irreverent, jolly fun Anyone who has ever been haunted by a bit of poetry, maybe even a song lyric, will understand how it is that lines of T.S. Eliot’s marvellous, evocative The Love Song of J.Alfred Prufrock have lingered tantalisingly in writer Elsa May’s mind until she felt compelled to confront them. [more] |
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PRUFROCK’S LOVE SONG at Globe Theatre reviewed by Barbara Frame (Otago Daily Times) 6 Oct 2011 |
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Production a definite original A man with a bald spot sits alone at a cafe table writing the old-fashioned way, with a pen. In a teacup sits something that may be a peach. [more] |
 reviewed by John Smythe 23 Nov 2012 |
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While patchy there’s brilliance ’Tis Christmas at the Beehive and all is not well The charm of John Key is losing its spell Winston is restless, his spirits on rocks As dead David Lange cracks hearty and mocks. [more] |
 reviewed by Lillian Richards 3 Feb 2010 |
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The contorting power of fear Thomas Sainsbury wrote this play – one of many, many, many – about the entrenched fear that pervades every day living, after his brief stay in New York. In this era of wars waged on notions of faulty logic, the influence of fear in our lives is a crucial one, fruiting paranoia and the very real threats that lurk within the hyperbole. [more] |
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reviewed by Caoilinn Hughes 3 Feb 2010 |
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A Comedy of Horrors Thomas Sainsbury uses theatre space to explore his characters’ minds. From shoe-shop employees hearing voices in their heads in And Then You Die, to a self-isolated man hiding out in a cellar, convinced he is not alone in Basement; justified suspicion and angst are omnipresent. [more] |
 PUBLIC SERVICE ANNOUNCEMENTS at BATS reviewed by John Smythe 19 May 2011 |
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Either over-written, under-rehearsed or both Set on Election Day 2011, Public Service Announcements is something of a warning. The scene is set with a John Campbell voice-over announcing early indications are that Winston Peters is making a comeback (the poster suggests this too). [more] |
 reviewed by John Smythe 17 Sep 2011 |
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Political targets well hit Much is made, this time, of the distraction the Rugby World Cup allows when it comes to ramming through unpopular policies. Indeed the through-line premise for this one is that the leaders’ debate on television is timed to coincide with the NZ v France match ... [more] |
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