 reviewed by Gail Pittaway (Waikato Times) 21 Aug 2009 |
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Virtually exciting Imagine a world in which young people don’t talk to their parents and choose to escape from the monotony of their suburban landscapes into virtual worlds of games. Worlds where virtuality becomes more exciting than reality. Not so difficult is it? [more] |
 reviewed by Nik Smythe (2) 20 Aug 2009 |
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Art vs. sanity In revisiting last year’s wholly successful production, which I reviewed in September 08, I was curious to see how it played out with me already aware of the significant twists revealed in the second act. Certainly, a number of the possibly confusing exchanges are easier to understand on a repeat viewing. [more] |
 reviewed by Laurie Atkinson (The Dominion Post) 20 Aug 2009 |
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Solo stories a little bit hit and miss The three solo works that make up The Conchus Season deal with three topical issues – child abuse, migration and a family coping with Alzheimer’s disease - in three completely different theatrical styles. [more] |
 reviewed by Candice Lewis 19 Aug 2009 |
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Joyful pace and chemistry Bernard Litko (Charles Louwrens) is an arrogant, tale-telling, oil-slick of a man. As we settle into our seats, he shares a story of sexual misadventure with his best friend Danny Shapiro in 1970’s Chicago. The pace and chemistry between these two is a joy... [more] |
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reviewed by Hannah Smith 19 Aug 2009 |
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Diverse and impressive theatre exploring stories unique to Aotearoa The Conchus Season is a brand new initiative masterminded by artistic director Nina Nawalowalo and aimed at exploring ‘issues central to Aotearoa New Zealand today.’ The three original works created and performed by these solo artists are as fierce and different as the artists themselves, but also linked by their common themes of family, identity, community and place. [more] |
 VIENNA VERONA at BATS reviewed by Lynn Freeman (2) (Capital Times) 19 Aug 2009 |
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Mongrel play The ultimate love story is also extremely violent and at times extremely grubby. There are some delicious touches to McCubbin Howell and his cast’s fast and furious production, where switchblades double for rapiers and the Capulet and Montague gangs spray graffiti. [more] |
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VIENNA VERONA at BATS reviewed by Uther Dean (Salient) 19 Aug 2009 |
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A step up Before we tread into the nitty grit of what exactly did and didn’t work, it needs to be said that Vienna Verona is an achievement. It is a step up. [more] |
 reviewed by Frances Edmond (New Zealand Listener) 19 Aug 2009 |
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Love in the time of Aids Holding the Man is the stage adaptation of Timothy Conigrave’s book of the same name: a memoir of growing up gay (and Catholic) in 1970s Melbourne, and an evocation of the tragedy that was the devastating Aids epidemic of the 80s. [more] |
 POWER AND PERSUASION at Philosophy House, 33 Aro St reviewed by Mary Anne Bourke 16 Aug 2009 |
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Five scintillating scenes The quaintly formal interior of Philosophy House is an inspired choice of venue. Inside, under a leavening skylight, a large reception room offers a variety of doors and windows for Dodge and Bach to enter and exit. [more] |
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VIENNA VERONA at BATS reviewed by Kate Blackhurst (The Lumiere Reader) 14 Aug 2009 |
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Vienna Verona Credit to the cast and crew must be given for the fact that less than half an hour after finishing one of Shakespeare’s most challenging plays, they are back to tackle another with commendable relish. Both of these are massive oeuvres and a lot of hard work has clearly gone into attempting to whittle them down to an attention-challenged modern audience. [more] |
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