 reviewed by Penny Dodd 8 Jun 2012 |
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Surprises amid complexities in inventive production This is a Rigoletto to remember, for the lavish setting and moody scene changes, the powerful music beautifully sung and played, and the modern twist that gives a vital sense of relevance to the narrative, but mostly because all these elements combine so that none overshadows the other. You are given a thoroughly integrated piece of fabulous story telling. [more] |
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reviewed by John Button (The Dominion Post) 21 May 2012 |
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Vocally superb, riveting theatre Like the splendid 2004 production, this production had a modern setting, but one focussed on a mafia style hierarchy living in decadent opulence and supported by all parts of society ( witness the prominent cardinal amongst the fawning courtiers), and tinged with a really sinister air. [more] |
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reviewed by William Dart (New Zealand Herald) 9 Jun 2012 |
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Rigoletto takes a bold step into today’s world Once again, NBR New Zealand Opera offers a theatrical experience on a scale unlikely to be found elsewhere in our city. [more] |
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reviewed by Sharon Talbot 21 May 2012 |
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Full of powerful drama, glamorous spectacle, wonderful singing and highly evocative music Let's be upfront here: Rigoletto is a nasty story – a nasty story set to great music. It is Verdi's music that transforms from scummy to tragic the age-old story of a glamorous playboy who takes women he fancies, willing or not, and gets away with it because of his wealth and position. [more] |
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RIKI KIWI at Drama Christi Studio reviewed by Ewen Coleman (The Dominion Post) 24 Apr 2006 |
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Actors fly away with the show Abbott’s simple but very New Zealand story is effectively told, the many original songs - the music and lyrics of which are also penned by Abbot and skilful played by Ryan Lee - adding much to the shows charm. But it’s the considerable skills of the actors who really bring the show to life; not only through their very animated and energised acting and singing but also through the way they successful interact with the audience. [more] |
 RISE at Aotea Centre at THE EDGE® reviewed by Shanon O'Sullivan 30 Sep 2010 |
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Unsurpassable expertise Dwight Roden and Desmond Richardson’s New York based Complexions Contemporary Ballet Companygreet us with pizzazz and the aplomb of an all star cast. As their second guest appearance to New Zealand in recent years, Complexions latest spectacular extravaganza undeniably lives up to the show’s title. [more] |
 RISE - JAVA DANCE COMPANY at BATS reviewed by John Smythe 23 Oct 2011 |
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An exhilarating celebration of flour power It’s wonderful to see performers at Bats making real dough for a change. Literally. Once you combine flour, water and golden syrup you can make all sorts of things from it – and that’s pretty much the case with Rise. Choose your own metaphor. [more] |
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RISE - JAVA DANCE COMPANY at BATS reviewed by Deirdre Tarrant (Capital Times) 2 Nov 2011 |
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Connecting all the senses Forced gasping from hanging bodies and a stream of flour floating, falling, cascading from the ceiling involve us as five dancers start their journey and response to making bread. Quotes from authors and religious sources set the space for the ritual that is humanity providing for life. [more] |
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RISE - JAVA DANCE COMPANY at BATS reviewed by Lyne Pringle 28 Oct 2011 |
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Flour, treacle water -- a finely negotiated balance Covered in flour and dough trembling with exhaustion these performers launch out into new and unknown vistas artistically. This is exciting and bodes well for future explorations by Java – no turning back seize this new direction. [more] |
 reviewed by Paul Simei-Barton 24 Nov 2011 |
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Artist’s liaisons make for evocative viewing It is difficult to imagine a better way to appreciate the art of Rita Angus and Douglas Lilburn than this celebratory tribute in which a sharp dramatisation of their quarrelsome relationship is counterpoised with Michael Houstoun's exquisite renditions of Lilburn's piano works while a luminous display of Angus' paintings appears as an enormous projection. [more] |
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