 reviewed by John Smythe 6 Jul 2009 |
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Farcical elements brought to the fore In essence Joe Orton’s first major play is a darkly comic cautionary tale about the dangers of repressing homosexuality at individual, family and social levels. Everything flows from that premise. As such it is a museum piece, firmly rooted in the 1960s when being queer was a crime ... [more] |
 reviewed by John Smythe 5 Jul 2009 |
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Excellence on every level The game four school friends play in the opening sequence – 4-Square – is boxed in, has strict rules and is very competitive. Failure, success, delight and (yes) danger at individual and group levels interweave with random twists that keep all players – and their audience – on their toes. [more] |
 reviewed by John Smythe 4 Jul 2009 |
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Classical tale in contemporary context delivers delight No story has scarred our psyches as deeply as Cinderella; she even has a syndrome named after her. (Is there a Handsome Prince Syndrome too?) [more] |
 reviewed by Celine Sumic 4 Jul 2009 |
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Of love and war A loosely constructed narrative, Memoirs of Active Service draws on a combination of dance, voice and audio-visual montage to create an experience that weaves together the past and present. Divided into 17 ‘Chapters’ the distinct sections of the dance work are successfully tied together by the recurring thread of the choreographer’s grandfather’s diary. [more] |
 reviewed by Sian Robertson 3 Jul 2009 |
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Pithy, fast paced script provokes with subtlety and blatancy Station to Station is an absurdist satire throwing a spotlight on the hypocrisy of religious fundamentalism. It’s less about sight-seeing and more about journeys of the soul, with the disappointments of hero worship at its core. [more] |
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reviewed by Janet McAllister (New Zealand Herald) 3 Jul 2009 |
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Thriller-like verve, arresting characters on way to End Michael Galvin (Shortland Street's Dr Warner) has written himself a doozy of a role in his new play: Simon, his Auckland evangelist, is willing to lie, entrap and possibly commit terrorist acts to hasten the Second Coming of Christ; the End apparently justifies being mean. [more] |
 reviewed by Ewen Coleman (The Dominion Post) 2 Jul 2009 |
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All aboard for the high-octane express This production for New Zealand audiences, which travels on to Christchurch and Auckland, is a sophisticated update of the production first performed in arenas throughout Scandinavia in 2007 and features a cast combining previous members from UK, US and German productions as well as young Kiwi talent, all performing on roller skates ... [more] |
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reviewed by John Smythe 2 Jul 2009 |
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Thrill-a-thon of sound and movement It’s a Cinderella set-up in essence but – being a boy’s story – it is primarily focused on a race between trains from different nations. The loco-contenders are all male while most of the service cars that hitch up for the ride are female, which is where the love interest comes in. [more] |
 reviewed by Helen Watson White 29 Jun 2009 |
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Curly-wigged artifice, witty circumlocution and downright intrigue Midwinter revels in Dunedin, begun with an impressive lantern procession in the Octagon, continue in the Globe’s lively production of a Restoration favourite, dating from London’s winter season in 1675. [more] |
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reviewed by Barbara Frame (Otago Daily Times) 27 Jun 2009 |
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Enormously entertaining Naughty, naughty. Between 1753 and 1924, William Wycherley's The Country Wife was considered so depraved that it was performed only in severely bowdlerised versions. [more] |
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