 SEX*DEATH*MAGIC: RENAISSANCE POETRY UNBOUND at Vertical Aerial Dance Studio, 27 Moray Place reviewed by Robbie Ellis 21 Mar 2012 |
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A most diverting entertainment indeed This isn’t the first time a company has cobbled together a collection of the English Renaissance’s greatest hits – poetic, theatrical and musical – and it won’t be the last either. This one grabs hold of the spirit of the time, reusing and borrowing material for a slice of the golden age that doesn’t outstay its welcome. [more] |
 SEX+MURDER=PLAY at Syn Bar, 14 Bond Street reviewed by John Smythe 10 Feb 2008 |
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Undercooked Murder as an aphrodisiac: a good premise for black comedy. [more] |
 reviewed by Caoilinn Hughes 28 Jul 2010 |
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Unclenching the corporates by teamwork They have you before you’ve even had a chance to cement your cynical evening entertainment expression. There’s a floor manager called Randy asking if you are too, and handing you questionnaires to fill out, saying things like: “What’s the naughtiest place you’ve ever done it?” [more] |
 reviewed by Laurie Atkinson (The Dominion Post) 20 Aug 2007 |
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Auspicious start for new company Written in 1974, Sexual Perversity in Chicago is an early David Mamet play that exhibits most of the traits of his characteristic style and themes for which he later became famous: short, sharp scenes, dominating roles for men, strong language, and a critique of American society. [more] |
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reviewed by Thomas LaHood 18 Aug 2007 |
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The seventies revisited This production of Mamet’s 1970s classic is an assured start for new independent co-operative Deaf Chic. Attractively marketed and presented, it has all the bite and punch required to attract a new, younger audience. For a night of crisp, snappy dialogue performed with skill and confidence, it’s a very cheap option too. [more] |
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reviewed by Helen Sims (The Lumiere Reader) 23 Aug 2007 |
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Impressive if a little dated The dim lighting, bar setting and music evoke a moody kind of sexiness that is the perfect backdrop for a play about 1970s sexual politics. It is obvious that the design team and director have thought carefully about the use of the space ... [more] |
 reviewed by Candice Lewis 19 Aug 2009 |
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Joyful pace and chemistry Bernard Litko (Charles Louwrens) is an arrogant, tale-telling, oil-slick of a man. As we settle into our seats, he shares a story of sexual misadventure with his best friend Danny Shapiro in 1970’s Chicago. The pace and chemistry between these two is a joy... [more] |
 reviewed by Paul Simei-Barton (NZ Herald) 28 Jul 2011 |
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Called to the bar for some fine, lively sparring Wry humour and great character studies make life-affirming show A basement bar in Karangahape Rd provides an appropriate venue for a highly original variation on the classic ‘man walks into a bar’ scenario. [more] |
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reviewed by Craig Wilson 28 Jul 2011 |
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Enlightenment at the bar So a Buddhist walks into a bar . . . It sounds like the start of a joke but is in fact the point when this play gets really interesting. [more] |
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NZ Fringe Festival 06 SHADOWS OF CARE at BATS reviewed by John Smythe (John Smythe: theatre reviews) 17 Feb 2006 |
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The lightness and darkness of love What makes the Shadows of Care double-bill worth watching is the alacrity with which both productions use their craft to distil emotional truth and expose light and dark parts of the human condition. [more] |
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