 SHEN WEI DANCE ARTS at St James Theatre reviewed by Lyne Pringle 1 Mar 2008 |
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Taking the world of dance by storm This programme presents two very contrasting works choreographed by Chinese born, New York based Shen Wei and his company of mostly American dancers. Firstly Rite of Spring set to Stravinsky’s iconoclastic score and the second work Folding to music by John Tavener and Tibetan Buddhist Chant. [more] |
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SHEN WEI DANCE ARTS at St James Theatre reviewed by Mark James Hamilton 2 Mar 2008 |
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Dense rich dance and narratives An intricate crowd of grey figures peoples Rite of Spring. Their sped up walks and looping phrases warp time. I watched their movement motifs’ synchronise with the musical phrases. This happened better for some dancers than others ... [more] |
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SHEN WEI DANCE ARTS at St James Theatre reviewed by Ann Hunt 14 Mar 2008 |
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Urban angst and self-contained beauty Shen Wei is a highly regarded choreographer, dancer, painter and designer. He is also the Artistic Director of Shen Wei Dance Arts. This programme arrives heralded from overseas tours and comprises two works, both of which he choreographed and designed. [more] |
 reviewed by John Smythe 17 May 2013 |
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An exciting and inspiring challenge This year’s ensemble – Andrew Patterson, Ria Simmons, Carrie Green and Joe Dekkers-Reihana – directed by Emma Robinson, make manifesting 37 very different roles in excerpts from an eclectic selection of 16 plays look easy, such is their talent, skill and preparedness. The focus is therefore squarely on the characters, relationships and works in question. [more] |
 reviewed by John Smythe 23 Aug 2006 |
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The paradox of constant change In his programme note, director-designer Leo Gene Peters observes that everything alive is “constantly moving and evolving, changing and shifting,” and asks, “How do we live fluidly when everything in our world teaches us to solidify our identity, our beliefs?” [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 25 Aug 2006 |
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Finely tuned second time round ... What has not changed is the inventive direction that allows the actors to drive the stories forward with the same comic spirit that enlivened the first production. [more] |
 reviewed by Bernadette Rae (NZ Herald) 23 May 2011 |
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A bejewelled celebration of the primordial feminine Elizabeth Kirk, Julie van Renen and Liana Yew are the transcendent dancers, faultlessly powerful and yielding, lyrical and angular, quirky, cute, quicksilver, compelling - and immeasurably serene. [more] |
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reviewed by Roxanne de Bruyn 27 May 2011 |
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A fluid, feminine performance The audience is left with the impression of witnessing something which is far above and beyond the everyday world. Like the great oral traditions of the past, Shine Lady gives us insight into nature, the divine and the cycles of the earth, using dance instead to words to do so. [more] |
 SHINE LADY BY SPINNING SUN at Q, 305 Queen St reviewed by Marianne Schultz 3 Oct 2011 |
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Original, engaging and beguiling contemporary dance Without spoken words, multi-media, projected images or elaborate costumes... a complete and satisfying experience of dance .. in a world where movement communicates. [more] |
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SHINE LADY BY SPINNING SUN at Middleton Grange School Performing Arts Centre reviewed by Julia McKerrow 12 Oct 2011 |
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Gestures and images that trigger the imagination Shine Lady is a dance in 16 parts, each of which has its own defined themes, rules, movements, narrative and music. I love Dewey’s wild use of music, which differs from some popular contemporary dance choices. Her mix of classical, rock and gypsy/world tunes adds unexpected dynamic change to the piece. At times the music strongly contrasts the movement quality and then elsewhere she layers the dancing and themes with evocative and exotic music [more] |
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