 SKELETON WOMAN at Fringe Tent / First Church reviewed by Barbara Frame (Otago Daily Times) 3 Oct 2006 |
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Blend of Inuit and Maori evokes emotions Early in the piece, standard new age and feminist references to wild women, earth-mothers, Diana the huntress, blood, ancient wisdom, and the cycles of birth and death, sorrow and joy, indicate the nature of what is to come. [more] |
 reviewed by John Smythe 15 Aug 2012 |
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The fertility of imagination Reading the publicity material for Skellig – “Michael discovers a dying tramp in the garden shed, and becomes determined to save him. But when Michael discovers wings beneath the tramp’s tatty clothes, the real journey begins…” – reminded me of the 1961 film Whistle Down The Wind (starring Hayley Mills, adapted from the novel by her mother, Mary Hayley Bell, and since recreated as a stage musical). [more] |
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reviewed by Lynn Freeman (Capital Times) 22 Aug 2012 |
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Pure Magic Skellig, based on the children’s novel of the same name, has been adapted for the stage by its author, David Almond. In his hands and those of director Tabitha Arthur and her wonderful young cast, it also feels as at home on stage as it does on the page. [more] |
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reviewed by Ewen Coleman 16 Aug 2012 |
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Entertaining tale for young and old The essence of any good children’s story is to capture the reader’s imagination and that is certainly the case with Skellig, adapted for the stage by David Almond from his award-winning children’s story. [more] |
 reviewed by John Smythe 8 Sep 2011 |
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Too good an idea not to be a full length play The quests for engagement, connection, communication – if necessary through confrontation, provocation and/or shock – are ever-present in arts practice, and in life, and so it is with Kate Morris’s Sketch, directed by Eleanor Bishop. [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 8 Sep 2011 |
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Extreme edge to bold production Sketch is an admirably ambitious play and it has been given a well-mounted production by Eleanor Bishop and her designer, Alice Hill, and her sound and lighting designer, Thomas Press. Her eight actors all give strong, straightforward performances of familiar stereotypes of the fashionable art world. [more] |
 reviewed by Greer Robertson 20 May 2011 |
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Suitably equipped to foster their inspiration Ten fresh new works from emerging choreographers [more] |
 reviewed by Nik Smythe 1 Oct 2009 |
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Drama, humour, poetry and eroticism Arts on Tour NZ's production of playwright Gary Henderson’s most celebrated work to date has been on tour for five weeks, predominately playing smaller towns throughout the nation. However, thanks to the initiative of SmackBang and the most generous accommodation of K Road’s Te Karanga gallery, Aucklanders have the privileged opportunity to catch this classic play for four nights only. [more] |
 reviewed by Lindsay Clark 5 Apr 2008 |
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Accomplished with rare distinction More than a decade after its acclaimed appearance here and in the wide world, this little gem is all the more welcome and its understated account of love for wife, for husband, for land, for country, is all the more rare an encounter. [more] |
 reviewed by Catherine Campbell 23 Oct 2009 |
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A thousand complexities in one relationship Skin Tight is as passionate, confusing and intimate as any relationship. Add in violent, masochistic and deeply tender and you have the relationship between Elizabeth and Tom, who have survived a world war, infidelity, parental disapproval and disappointing offspring. But only just. [more] |
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