 reviewed by James Hadley 26 Oct 2009 |
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Physical intensity Shaky Isles Theatre can claim to be the leading New Zealand theatre company based in London. They have been presenting readings and stagings of New Zealand plays in some of the city’s Fringe venues since 2006. They have chosen to stage Gary Henderson’s Skin Tight as their main production of this year ... [more] |
 reviewed by Mel Dodge 7 Feb 2011 |
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An Intense Night of Intimate Portrayal The tension is high from the word go, with a physical fight sequence. In fact the physicality of this show is one of its strengths. The choreography, moving between a fight sequence, dance and a beautiful push-pull movement section enhances the storytelling greatly. [more] |
 reviewed by Lexie Matheson 23 Jun 2011 |
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Revel in the sensuality of one of our best stories In Melissa Fergusson’s excellent production we get a new look at this fine play and it is absolutely riveting stuff, as much for its fresh, naturalistic approach as for its loyalty to the text. [more] |
 reviewed by John Smythe 7 Apr 2011 |
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A good show that could be excellent Skoolnite is a brand new chat show on youth channel MeTV, replete with a host in a skewed baseball cap that shows how kool at skool he is. Staged with no budget in the tiny Pit Bar at Bats, a Justin Beaver poster is the sole indicator of their target audience. [more] |
 reviewed by John Smythe 19 Mar 2010 |
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Inspired slapstick with a gentle heart This absurdist piece of goonery was created in 1975 by the recently late Ken Campbell (1941-2008). “I don't think there is a more hilariously anarchic talent on the loose in British theatre,” a Times columnist opined. It belongs to an era of hippy-yippy-happenings and alternative populist theatre aimed at blowing the starch from a grey world ruled by a conservative ‘establishment’. [more] |
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reviewed by Laurie Atkinson (The Dominion Post) 20 Mar 2010 |
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Skungpoomers channel Ken’s mischievous character The English comic performer, writer and all-round wayward genius, Ken Campbell, liked to call his plays “capers” and he hated, despite having performed at England’s National Theatre, what he called “brochure theatre” – theatre that gets done because something has to be programmed and announced in a brochure. [more] |
 SKY DANCER at Town Hall reviewed by John Smythe 9 Mar 2013 |
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Keeping the story secret … Why? The programme’s “Kia ora” message from Stephen Blackburn, Creative Producer with Capital E National Theatre for Young People, includes this: “The gestation of this project goes back five years to when the then Education Manager at the New Zealand Symphony Orchestra and I, discussed over a coffee the idea of creating an orchestral piece that might supplant works such as Peter and the Wolf in the repertoire for New Zealand orchestras to introduce young audiences to the magic that is orchestral music.” [more] |
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SKY DANCER at Town Hall reviewed by Ewen Coleman (The Dominion Post) 18 Mar 2013 |
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Sky Dancer soars in powerful multimedia work If ever there was a production that encapsulates every aspect of performance art then Sky Dancer is it. [more] |
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SKY DANCER at Town Hall reviewed by Thomasin McKenzie (age 12) 9 Mar 2013 |
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Amazing music and design – but what about the story? The music was amazing. I felt like it was taking me on a journey to a musical forest of my imagination. It was exciting from the moment I sat down in my chair and I got pulled in when the orchestra started playing. [more] |
 reviewed by John Smythe 9 Jul 2009 |
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From spectacle to minimal, its all about truth Although Slava’s a no show in this snowshow there remains no show like Slava’s Snowshow. It offers true clowning of the highest order. [more] |
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