 reviewed by Sofia Kalogeropoulou 4 Apr 2009 |
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Performed with passion and commitment Footnote Dance Company makes a comeback to the Dunedin Fringe Festival with a whole new repertoire. 2009 Made in New Zealand includes works created by New Zealand choreographers in collaboration with New Zealand composers. [more] |
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reviewed by Jennifer Shennan (The Dominion Post) 23 May 2009 |
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Voyages of exploration This programme of 7 short works showed the company in good form as they tour to several centres, helping to mark New Zealand Music Month. [more] |
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reviewed by Lyne Pringle 23 May 2009 |
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A deep and fecund mulch Footnote Dance Company’s Made in New Zealand programme is an important event on the annual dance calendar; there is always a warm buzz in the Wellington Opera House as the occasion unfolds. This is a testament to the stoic web of relationships that the company and Deirdre Tarrant have built with their ‘home’ crowd over the years. [more] |
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reviewed by Bernadette Rae (New Zealand Herald) 30 May 2009 |
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Too wholesome, joyful and enthusiastic to excite Footnote Dance is very wholesome, curiously adolescent after 25 years of existence, and not very sexy. Enthusiastic, joyful, adventurous and inarguably an important nurturer of talent, yes. But in spite of the calibre of some of the choreographers ... [more] |
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reviewed by Celine Sumic 30 May 2009 |
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Reflective flights and figurative falls Footnote Dance presents their 2009 showcase of contemporary New Zealand dance: a considered cross-section of home-grown work at varying stages of development ... An exuberant feel underscores Tarrant’s opening work in a rapidly stepped entry of strong, clear lines ... [more] |
 reviewed by John Smythe 16 Dec 2009 |
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What a year! Once more Welly has wallowed in a wondrous concoction of homegrown, classical and contemporary international work in 2009. The cream of a very healthy year’s primary production is visible in the shows and talents nominated for the democratically selected Chapman Tripp Theatre Awards 09 (voted for by critics) and the shamelessly anarchic Chapman Kip Theatre Awards 09 (where the voting serves to remind everyone what’s happened through the year and may or may not influence the final outcome). [more] |
 2009 – A SPACE ODDITY at Newtown Community Centre reviewed by John Smythe 28 Feb 2009 |
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Way short of its potential Is it fair to review a koha show by a charitable trust that does community workshops? Well yes, if they are competing for your time and attention in the crowded Fringe programme. And when they call themselves Women’s Circus Aotearoa, someone has to say that if you are expecting something similar to Fuse Circus’s The Navigators ... [more] |
 reviewed by Janet McAllister & Paul Simei-Barton (New Zealand Herald) 18 Dec 2010 |
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Auckland theatre’s best of 2010 Auckland theatre punters have been spoiled for choice over the past year. There were heaps of shows (at least 110 professional and semi-professional plays) and overall, they fulfilled two important get-off-the-couch criteria: they were entertaining, and cheap enough to compete with the movies. [more] |
 reviewed by Kerri Fitzgerald 27 Apr 2010 |
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Delivers on promise with remarkable vigour We are treated to three substantial pieces that show off the dancers’ technical virtuosity and demonstrate the artistic flair of the choreographers who are creating and exploring new zones in dance. [more] |
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reviewed by Jonathan W. Marshall 5 May 2010 |
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Engaging with diversity Cultural and racial difference is not a principal focus of performance (as is the case with Black Grace). Rather, the diversity of membership, stylistic devices, and musical references provides the main way in which the company engages with anything which might be considered to be specifically national or bicultural. [more] |
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