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NZ International Comedy Festival
MEDIUM RARE at The Classic Basement (formerly Silo)
reviewed by Sian Robertson 23 Apr 2008
Fledgling comics show promise
Medium Rare are the fresh meat of NZ’s comedy talent pool, high school aged lads and lasses who, with a bit of experience under their belts, are now ‘less bloody than you think’. Not all of their material centres around being a teenager – in fact they’ve all done well to avoid most of the predictable clichés, and they’ve all got something to say. [more]

NZ International Comedy Festival
ARJ BARKER: NEW AND IMPROVED (USA) at Crunchie Comedy Chamber, Town Hall
reviewed by Sian Robertson 23 Apr 2008
Plays us like a drum kit
Known to most of us as Dave from Flight of the Conchords, some of you are going to be disappointed to learn that Arj Barker’s Auckland shows are completely sold out – for good reason. [more]

NZ International Comedy Festival
JOSIE LONG: TRYING IS GOOD (UK) at BATS
reviewed by Sian Robertson 24 Apr 2008
Entirely original and big hearted
Josie Long is like that friend or acquaintance (you know the one I mean) who’s bubbly, irrepressibly positive, passionate and quirky, who everyone likes, but who is best administered in small doses. [more]

NZ International Comedy Festival
STAND UP FOR KIDS at Herald Theatre, Aotea Centre, The Edge
reviewed by Sian Robertson 24 Apr 2008
Mostly involving
Stand Up For Kids boasts a varying line up of several of the festival’s local and international comedians, the ‘Little Big Show’ if you like – one hour long, four acts, with Jamie Bowen revving it up as MC. [more]

NZ International Comedy Festival
THE LONESOME BUCKWHIPS' CHARITY GALA at The Transmission Room
reviewed by Sian Robertson 27 Apr 2008
Sure to peel your spuds
The Buckwhips – Miri (Miriama Ketu, on violin), Arty (Arthur Meek, on rhythm guitar), Gary (Gareth Williams, keyboard) and Benny (Ben Hutchison, lead guitar) – are putting on a charity gig, the proceeds of which will go to a South Island family band of their choosing... [more]

NZ International Comedy Festival
RUBBER TURKEY at The Basement, Lower Greys Ave
reviewed by Sian Robertson 30 Apr 2008
Darkly witty, superbly constructed
Rubber Turkey is a slit-your-wrists-sharp comedy about comedy that tickles your cerebral cortex as well as your funny bone. Actually, I can’t tell if it’s a tragedy masquerading as a comedy or the other way around. “All the best comedy is born of tragedy” (and vice versa), explains Guy (Alex Grieg) – I guess therein lies my answer. [more]

NZ International Comedy Festival
STEVE WRIGLEY: THE FIRST TIME at The Classic Studio
reviewed by Sian Robertson 6 May 2008
Honest, wicked, imaginative
... Although there's a thematic thread, Wrigley's set is loosely structured and associative, trawling you energetically through the dirty laundry of his thoughts, which can be squalid and touching in equal measures, but either way, pretty damn funny. His weaknesses are his strength. [more]

NZ International Comedy Festival
MRS. PEACOCK: SIX FEET FROM THE EDGE at Comedy Underground, 305 Queen St
reviewed by Sian Robertson 7 May 2008
Hamstrung by expectation?
Dave Smith and Jarrod Baker are ‘Mrs Peacock’ – the band that doesn’t have a front man with a huge forehead. Six Feet From The Edge is about them trying to write a rock opera... and it’s not really working for them; Dave’s talking about going overseas with his girlfriend; they don’t like each other’s ideas; they don’t have many ideas; they don’t even seem to care that much about having good ideas. [more]

NZ International Comedy Festival
BRENDHAN LOVEGROVE: LIVE at Crunchie Comedy Chamber, Town Hall
reviewed by Sian Robertson 9 May 2008
Pushing it
Relentlessly un-PC, Brendhan Lovegrove is a one-man version of South Park. He covers all the bases from racism to scatology, with something to offend everyone, except he’s got no ulterior motive, no political message. [more]

NZ International Comedy Festival
THE KRANSKY SISTERS at Comedy Chamber, Town Hall, THE EDGE
reviewed by Sian Robertson 3 May 2009
Creepy trio
The musical Kransky Sisters aren’t your usual recipe for a knee-slapping comedy show. The attraction is in their understated, unsettling performances and the sense created by a flawless adherence to their oddly naïve characters that perhaps these women aren’t acting at all. [more]
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