 TENT at Maidment reviewed by Jack Gray 14 Oct 2008 |
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Silence with intent intensifies; void/avoidance pervades TENT marks the arrival of Michael Parmenter’s latest new full-length dance theatre production, his first new company creation in a decade and a work he has hailed as one clearly demonstrating his current and personal shifts as a choreographer. [more] |
 TERNION at BATS reviewed by Lyne Pringle 23 Feb 2008 |
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Succulent and accomplished dancers; fledgling choreographers Ternion (three things together) is the apt title for an evening of well realised dance, with slick production values and committed performances. [more] |
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TERNION at BATS reviewed by Jennifer Shennan 24 Feb 2008 |
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Youthful, unpretentious and pleasant Ternion is a youthful, optimistic, littler [than Dark Tourists] evening of dance that shows the performers’ lyrical style of movement and sense of line. [more] |
 TERRAIN at Galatos reviewed by Felicity Molloy 16 Mar 2007 |
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Elemental lexis of human feelings and connections I rushed to get there, teeming traffic into a tiny world of toy cars. Malia, a tiny dynamic woman, a dance force to be reckoned with, lying, a most peaceful body suspended above yoga blocks. Oldish music, Baez and Dylan with Eno ambience played on old records. [more] |
 TERRES D’AURAS at Concert Chamber - Town Hall, THE EDGE reviewed by Felicity Molloy 6 Oct 2007 |
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Two more shows to go today! Go ... The third section is perhaps the most successful with the blend of dancer energy and precision, music and extended visual moments of the company dancing together: a most satisfying culmination for watching in response ... [more] |
 reviewed by Roxanne de Bruyn 6 Oct 2012 |
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Quirky and lots of fun Terror Island is fun and entertaining. You can just sit back, relax and enjoy it with the performers. It’s a small, intimate and quirky performance, and you feel like you’re part of the dancers’ lives just by being there. [more] |
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reviewed by Matt Baker (Theatre Scenes - Auckland Theatre Blog) 6 Oct 2012 |
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Terribly amusing Devised from an eclectic range of hit pop songs from across the decades, I was pleasantly surprised with how well a narrative the collaborative team of Fingerprints & Teeth Productions and Dynamotion were able to create for the dance/theatre show Terror Island. [more] |
 reviewed by Raewyn Whyte 22 May 2013 |
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Robots vs Humans in an effervescent romp A comic-bookish tale of a dystopian world populated by humans and robots, it is delivered through effervescent dance routines. Very quick costume switches signal whether the performers are now humans or robots, or the central brain of the internet-based computer system driving the world along. [more] |
 reviewed by Nik Smythe 29 Apr 2012 |
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Was there an initial hypothesis? Another late-night assortment of standup protagonists, with an original twist: rather than offering a taste of their material and plugging whatever shows they have on during the festival, head comedy-lab technician Terry Frisby has appointed each performer with ‘inappropriate material’. i.e. cast-against-type scripts from other local comics. [more] |
 TERRY WILLIAMS IN THE GRIN REAPER at Brooklyn Bar - 57 Lorne St reviewed by Lexie Matheson 29 Apr 2013 |
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Attractive, charming, incredibly well prepared and very funny The longest living people have nine secrets. So says Terry Williams, The Grin Reaper, and the aforementioned nine secrets provide the theme for his latest show. He’s right, of course, about the nine secrets, but as with most good comedy shows this doesn’t stop Williams commenting liberally on anything and everything including the occasional words of support - and advice - he gets from the more vocal members of his audience and, in so doing, he definitely runs the gamut of human experience. [more] |
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