 BABYCAKES at BATS reviewed by Lynn Freeman (Capital Times) 20 Feb 2008 |
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Undemanding romp Babycakes is an undemanding invitation to the wedding table from hell, where a reunion of old call centre workmates turns into a slanging match. Georgina Titheridge goes for easy laughs and stereotypes (and that’s ok if, as it did on opening night, it gets the audience laughing). [more] |
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BABYCAKES at BATS reviewed by Kate Blackhurst (The Lumiere Reader) 19 Feb 2008 |
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Great little play with twists With Babycakes, Georgina Titheridge has written a Kiwi version of Closer. That’s not to say that it is derivative, but that it shares the same tight script and cutting-edge characterisation ... [more] |
 BABYLON at The Crypt – St Mary’s of the Angels, Boulcott Street reviewed by John Smythe 29 Feb 2012 |
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An extraordinary sensory experience whichever way you interpret it Abandon reality all who enter here; submit instead to abstraction. Sense, recall, interpret, imagine; intuitively or at will. And know that if you should decode a meaning in anything, another will be possible. Besides, what gives you the clue will change to invalidate the first explanation. [more] |
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BABYLON HEIGHTS at The Forge at The Court Theatre reviewed by Lindsay Clark 17 Jun 2007 |
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Risky theatre We were promised a ‘pitch-black’ comedy; we got one. [more] |
 BACK OF THE BUS at Courtenay Place, outside St James reviewed by Lyne Pringle 2 Oct 2008 |
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Itinerant dance could go further and deeper The performers are scattered around the bus as we take off, there is a sense of anticipation. One of the strongest moments on the journey happens early on when Emma Johnston waves the bus down and staggers on under a load of shopping. The craziness of her solo is fabulous. [more] |
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BACK OF THE BUS at Bus Exchange Lounge / Moving Bus reviewed by Helen Moore 6 Oct 2009 |
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Heart-warming site specific mystery tour Familiar bus behaviours of managing bags and tickets, waiting for and securing a seat, and passenger persona are playfully reflected back to us through dance. [more] |
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BACK OF THE BUS at Regent Theatre Foyer reviewed by Kasey Dewar 13 Oct 2010 |
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Innovative choreography, high energy dance and emotional connection Three main characters played by Sacha Copland, Rosanne Christine and Natalie Hona take turns to portray their individual stories throughout the bus journey and at specially selected locations. Each character is perhaps an over-exaggerated version of the everyday bus passenger ... [more] |
 BACK STORY at Herald Theatre, Aotea Centre, The Edge reviewed by Nik Smythe 20 Mar 2009 |
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Perfect last word in a festival of existentialism The process for evolving the content for Back Story began, as I understand it, with each performer approaching a stranger and asking them for a story to use in a play. Bringing the stories to the group, they developed the characters of their interviewees to make them their own, workshopped their stories up together and wove them all together for the stage with a fresh vibrant conceptual attitude. [more] |
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BACK STORY at Herald Theatre, Aotea Centre, The Edge reviewed by Paul Simei-Barton (New Zealand Herald) 23 Mar 2009 |
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A little inspired improv quirkiness helps make real characters out of stereotypes Back Story is a high energy devised work that takes the pulse of the city with improvisations around material that was collected by asking randomly selected citizens to provide a story for a play. [more] |
 BACK/WORDS at BATS reviewed by John Smythe 18 Feb 2010 |
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Distilled, focused and very engaging It is a form of ‘verbatim’ and ‘playback’ theatre that literally involves the five ear-plugged actors playing back – to themselves – fragments of interviews on their i-pods and simultaneously recreating the words, syntax, rhythms and accents of their 16 interviewees. [more] |
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