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SHOES at BATS
reviewed by Lynn Freeman (Capital Times) 19 Mar 2008
Love in its sole
Felicity sits atop a mountain of shoes when we meet her, as she looks back fondly and candidly at her life with husband Leon. From their stumbling first dates to a thirty year plus marriage and the raising of their daughter Kate – there is a lot of story to get through in Shoes. [more]

SHOES at BATS
reviewed by Laurie Atkinson (The Dominion Post) 19 Mar 2008
Shoes fits bill
On first seeing the set for Shoes I wondered how on earth Jamie Burgess was going to keep an audience entertained with only a couch made out of shoe boxes and a small mountain of shoes which covers about half of the back wall of Bats’ stage. [more]

Photo: Valerie Remise
NZ International Arts Festival
TRACES at Opera House
reviewed by Lynn Freeman (Capital Times) 19 Mar 2008
Astounding pole work
However you dress up the modern day circus, with lavish sets and somewhat tenuous but charming storylines, with loud pumping music and audio visuals, we are there for the jaw-dropping feats of genius. [more]

KIWI MOON at Capital E
reviewed by John Smythe 18 Mar 2008
Cute Kiwi’s quest for survival gets fearfully exciting
Adapted and directed by Peter Wilson and designed by John Hodgkins, with puppets designed and created by Sue Hill and shadow puppets by Debz Ruffell, it is true to the book in key respects. Where Bishop suggests the daytime activities of humans in pictorial panels tucked in around the text and images of the substantive story, the dramatised version uses a sun to tell us it’s day and shadow puppets in stylised settings to depict tribal warfare, the felling of trees, the land wars, the death of a chief, a tangi … [more]

NZ International Arts Festival
SONGS OF KURT WEILL at Pacific Blue Festival Club
reviewed by Rosel Labone 17 Mar 2008
More pioneer rocker than old German jazz dude
This innovative Arts Festival project by Wellington institution Plan 9 is not so much an extreme makeover as a complete reinvention of both the known and not so well known music of 20th Century composer Kurt Weill. This formidable clan of expert technicians have taken apart Weill’s music and rebuilt it, piece by piece by piece. [more]

NZ International Arts Festival
GISELLE at Shed 6, Queens Wharf
reviewed by Ann Hunt 16 Mar 2008
Genius avant-garde he is not
[Note: Ann Hunt’s NZIAF dance reviews appear here because they were written for the Sunday Star Times which has chosen not to run them – indeed their review coverage of all performing arts appears to have ceased across the board. Shame on them – JS]] “In Ballyfeeny there is little or no light.” So quotes Giselle's father from the top of a telegraph pole. This is so very true. Writer/director, Michael Keegan-Dolan 's absurdist Giselle is very dark indeed, in spite of some broad laughs along the way. [more]

BOUNCERS at BATS
reviewed by John Smythe 15 Mar 2008
Poor show
This Clarity Productions staging of John Godber’s Bouncers, judiciously relocated from northern England in the early 1980s to here and now, would not inspire anyone to think it deserved a nation-wide tour. Yet twenty-plus years ago that’s exactly what happened with William Walker’s smash hit Centrepoint production of Bouncers. [more]

SHOES at BATS
reviewed by John Smythe 15 Mar 2008
Try it on, it may well suit you
From atop a shoe mountain, her memories provoked by specific items of footwear, Felicity tells us the story of her life as a sweetheart, wife and mother. By setting himself this discipline, playwright Jamie Burgess has fashioned a tightly constructed play of surprising depth, wit and humanity. [more]

Photo: Jeff Busby
NZ International Arts Festival
HONOUR BOUND at TSB Bank Arena, Queens Wharf
reviewed by Laurie Atkinson (The Dominion Post) 14 Mar 2008
Daring assault on walls of steel
Honour Bound is the most startlingly daring piece of theatre in the Festival, combining as it does documentary theatre, dance, agile aerial work, and amazing video technology. [more]

Photo: Jeff Busby
NZ International Arts Festival
HONOUR BOUND at TSB Bank Arena, Queens Wharf
reviewed by John Smythe 14 Mar 2008
Potent theatre of indictment: not to be missed or dismissed
“Honor Bound to Defend Freedom” is the motto of the Joint Task Force charged with running the Guantánamo detention centre. But here we find honour bound, black-hooded and consigned to a very dark place while detainees (the Bush administration has decreed they are not prisoners of war and therefore not protected by the Geneva Convention) are subjected to regimes of systematic torture, sanctioned by US Defence Secretary Donald Rumsfeld to win their co-operation and extract supposedly credible ‘information’ and evidence’. Yeah right. [more]
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