 reviewed by Jack Gray 19 May 2010 |
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Expressing and questioning our society and generation Purlieu (Malia Johnston) begins with cascades of piano (Eden Mulholland) and a square of light. Spinning legs and muscular arms of guest dancer Yanhou Du, lofting, shifting from corner to corner with fast, supple arms and release. [more] |
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reviewed by Bernadette Rae (New Zealand Herald) 19 May 2010 |
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From small spaces emerge grand ideas Four very different works conclude sterling season by this company In the first moments of Purlieu, Malia Johnston's new work opening this programme and soon bound for exhibition at the World Expo in Shanghai, small and precious performance spaces are first defined by light, as one neat little square, then two, three, four. [more] |
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reviewed by Jenny Stevenson 27 May 2010 |
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Physically robust ensemble in tight performance mode In these times of increasing global conformity, when they are even threatening to take the “Kiwi” out of KiwiBank who can you count on to wave the flag for Godzone? Footnote Dance would have to be one of the front-runners, with their proud proclamation of Made in New Zealand works and a superb poster featuring the North and South Islands composed entirely of bodies in motion [more] |
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reviewed by Jennifer Shennan 28 May 2010 |
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Footnote’s triumph lies with Purlieu The stunning design of costume and lighting, and wonderfully driving music, gave real coherence to the theme, and the company transformed itself. This is Footnote’s most mature and striking work to date, with new recruits merging into a strong team. Purlieu will do them and the country proud in Shanghai in July. [more] |
 reviewed by Lynn Freeman (Capital Times) 22 Dec 2010 |
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Wellington theatre’s highs and lows Some years you just know will stick in your mind, no matter how many more hundreds of shows you will see in the future. 2010 is one of those magic years. [more] |
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reviewed by John Smythe 22 Dec 2010 |
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Wellington theatre in rude good health This has not been an easy year for Wellington’s theatre critics. First, in Samuel Beckett’s Waiting for Godot, Roger Rees’s Vladimir and Sir Ian McKellen’s Estragon, played as out-of-work vaudevillians, passed the time by abusing each other, thus: [more] |
 2011 - SOUTHERN LIGHTS DANCE COMPANY at Geo Dome reviewed by Paul Young 2 Oct 2011 |
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Sources in culture, science, spirituality The dancers exhibit a connection, a deliberate relativity, sometimes apparently triggering each other. They watch each other, I sense their investment but there is nothing at stake, they are waiting to make a decision but there is no anticipation. This is precision. I have been involved in abstract work before, but how this quality of easeful synchronicity is achieved, I don’t know. [more] |
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2011 - SOUTHERN LIGHTS DANCE COMPANY at Q, 305 Queen St reviewed by Jenny Stevenson 5 Oct 2011 |
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Indomitable Cantabrian dancers The dancers’ focus never wavers and together they give a strong performance that draws on their ability to control and carefully place the movement and maintain intricate patternings. [more] |
 reviewed by Greer Robertson 16 Dec 2012 |
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Ballet stars of tomorrow, dancing today in the Olympics of dance Making their first entrance, the twelve finalists, chosen from 70 entrants, promenade waltz onto the stage in a united display of discipline, yet with a singular yearning to win. The candidates then individually perform an intricately choreographed piece expressly commissioned from New Zealander Adrian Burnett. Fiona Tonkin Principal Coach and Ballet Mistress of The Australian Ballet also groomed the young fledglings with her knowledge and expertise. [more] |
 reviewed by Jackson Coe 12 Feb 2008 |
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Flair for pacey comedy Following a Sensational season in 2007, Rankle Productions returns to the Fringe Festival this year with their familiar essence of downright kookiness. [more] |
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