 reviewed by John Ross 12 Sep 2011 |
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Thriller comedy balance enjoyably achieved It’s mid-1914, with war seeming increasingly likely – but will Britain be absolutely dragged ‘into the abyss’? Will the gallant Richard Hannay and his ally the elegant Mrs Urquhart thwart a fiendishly ingenious conspiracy devised by some dreaded Huns, to bring that about? You might well ask. [more] |
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HITS OF 83 at Centrepoint reviewed by John Ross 6 Nov 2011 |
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Ingenious production of thin plotlines If you just love song-and-dance shows, you’ll love this one. So long as the songs, the singing and the routines are good enough, it’ll be a box of fluffies. [more] |
 reviewed by John Ross 16 Mar 2012 |
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A performance of huge variety, subtlety, inventiveness and energy Portraying one Maori man’s life, this is also an exposure of the horrific impacts of warfare upon the lives of those involved in the on-the-ground fighting, whereby even the men who come home alive and without visible wound-injuries are all-too-often damaged for the rest of their lives. [more] |
 reviewed by John Ross 11 Jun 2012 |
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Fluctuating emotional dynamics in high quality production of a seriously good play We clearly have a visceral desire for answers, yet abiding questions are far more fascinating. One has to admire a playwright with the courage to resist the tempting expectation to provide a tidy story, with a denouement, a closure, which are denied here to the audience just as they are to the central characters. [more] |
 reviewed by John Ross 5 Mar 2013 |
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Playful use of Steampunk How does this highly challenging play come across, when mounted outdoors, in three separate venues, within our city’s Square? With all actors using headset mikes? With much of the cast costumed in Steampunk-style mock-Victorian garb? With the central character Prospero rendered as female ... [more] |
 reviewed by John Ross 7 Mar 2013 |
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Striking contrasts This is outstandingly Jamie McCaskill’s play. Not only did he write it but he delivers an electric performance in the lead role of the young career gaol-bird Jimmy King, as well as doing bit parts. [more] |
 reviewed by Jan Bolwell 24 Nov 2010 |
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Dancing with integrity, flair and artistry In the past Kylián choreographies have appeared in the school’s graduation season alongside a variety of other classical and contemporary works. Here at last is an opportunity for the audience to immerse themselves in the aesthetic of one of the world’s finest dance makers. [more] |
 reviewed by Dean Parker 17 Jun 2012 |
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McGlone and Henare bloom midst the hookers “With winter upon us, many of you we know have been wondering—what are the compensations for living in New Zealand? We’re at the bottom of the world, we’re as far away from every interesting place as possible, it costs us a fortune to go anywhere, we have the highest cost of living in the universe, we have wages so low we can compete with China, we have public holidays so pitifully few that other countries have to embark on austerity programmes to get down to our level ..." [more] |
 reviewed by Kathryn van Beek 18 Mar 2007 |
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Motley crew of sweet characters If only all plays began with an Italian man handing out free cups of freshly brewed espresso! In this play about culture there is no shortage of Maori and Italian hospitality, from the offerings of food and music to the poignant insights we are given into the lives of the characters. [more] |
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reviewed by Lindsay Clark 29 Jul 2007 |
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Music and charm carry the day It begins with song and black Italian coffee for those in the front row. Well, you share the coffee because of course it is war time and such things are scarce. The performing space is like a makeshift camp temporarily, before the story gathers momentum and it becomes whatever the moment requires ... [more] |
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