 reviewed by Lindsay Clark 21 Oct 2012 |
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A gentle homage to folk who kept calm and carried on With three New Zealand plays staged out of the five seen so far in its 2012-2013 season, the Court's commitment to local playwrights is clear. Moving from the robust farce of Dave Armstrong’s The Motor Camp (June), to the thrilling, chilling Man in a Suitcase by Lynda Chanwai-Earle (August), the Court now offers a gentle domestic compilation in Pacific Post. [more] |
 reviewed by Lindsay Clark 16 Nov 2012 |
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Brought to convincing life with warmth and skill It is a great pity that this splendidly crafted piece seems to have arrived unheralded and will be gone before word of mouth can do it justice. Those happy few who found their way to the venue enjoyed a generous and masterly incarnation of the great novelist, reproducing the readings which Dickens himself once took on tour to the world. [more] |
 reviewed by Lindsay Clark 21 Jan 2013 |
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Competent, colourful and best of all live Three energetic pink piggies tumble down the long steep aisles to the stage, mostly on well padded bottoms to start the show. The close proximity of costumed characters delighted all the nippers around me and eases neatly into a dinner time scene onstage. We learn about the defining qualities of the three siblings through their attitudes as they prepare for the meal. [more] |
 reviewed by Lindsay Clark 17 Feb 2013 |
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Adversarial revelations The play builds steadily, as raw emotions are unleashed to several scenes of shocking intensity. Never short of crisp one liners, each scene contributes to the overall jigsaw, layering character and implication in a neat progression. What at first sight seems a vast set (from the meticulous design of Mark McEntyre) resonates with 'adversarial' revelations. [more] |
 reviewed by Michael Wray 25 Feb 2007 |
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Slow cooking enriched flavours Hotel is a work that boasts a heavyweight line-up, with a liberal sprinkling of Chapman Tripp Theatre Award winners in the creative team. It shows. Hotel is a well developed, seductive piece that is hugely enjoyable. [more] |
 reviewed by Michael Wray (Capital Times) 18 May 2011 |
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Magical Dreamscape The cast has reduced by one and there are some clever theatrical elements introduced. Downstage’s larger stage suits the play. Director Leo Gene Peters has transitioned this enigmatic combination of film noir and magical realism into a bigger setting and the play has grown to meet the challenge. [more] |
 reviewed by Michael Wray 25 May 2011 |
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Slightly self-mocking songs and stories As segues between songs, Keller amuses us with tales that take us from high school to present day. Whether the stories have been written to fit the song selection or the songs picked to fit the stories is up for debate, but it provides an opportunity for her to interact with the audience and set a light, slightly self-mocking tone. [more] |
 reviewed by Michael Wray 4 Jun 2011 |
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Of men, women, machines and sheep As playwright Arthur Meek himself describes it, Sheep combines moments of family history and national history. Seven separate short plays that can be taken in isolation form a collective story providing snapshots of both New Zealand’s development and the growth of the Prout / McMillan / Holt family tree that links New Zealand and Germany. [more] |
 reviewed by Michael Wray (Capital Times) 11 Apr 2012 |
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Musical first Geraldine Brophy’s new play is a musical examination of the themes that she writes about so well. From previous works, such as Real Estate, we know Brophy is a master at exploring loss, making us laugh while pulling on our heart-strings, but this is the first time she has written a play for the musical genre. [more] |
 reviewed by Michael Wray (Capital Times) 26 Sep 2012 |
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Hypnotic weave The Keepers is a devised work that weaves together elements of theatre, live music and dance or physical movement. Lighthouse keeper Margaret (Veronica Brady) lives alone until rescuing the drowning Nina (Julia Croft). [more] |
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